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Battles | Gloss Drop
CD Reviews
Moby | Destroyed
Mute (2011)
By
MICHAEL CHRISTOPHER
|
May 12, 2011
Moby | Destroyed
" alt="photo of 'Moby | Destroyed'">
3.0
Stars
This was supposed to be some sort of acoustic jaunt, but
Moby
reverted to what he does best: sounding like Moby. Unfortunately, it doesn't always work.
Destroyed
is frontloaded in an incomprehensibly dull manner: lots of vocoder and drum looping spanning tracks that never go anywhere and bleed monotonously into one another. Many won't make it past that, casting the record aside and chalking it up to a really shitty effort by ol' baldy. That'd be a pity, because Mobz does a complete U-turn mid record with "The Day," a heartbreaking lament about watching a loved one suffer through the painful solace of drug addiction. It sets the stage for "After," "Victoria Lucas" (Sylvia Plath's old pen name), and "Blue Moon" — all of them tailor-made for those after-hours clubs where drugs aren't necessary to enjoy the soundtrack (though they wouldn't hurt). The final segment swells atmospherically. "Stella Maris" is a simple but stirring ambient piece that could fit well over the final scenes of any Jim Sheridan film. Ditch the first 20 minutes and open the album with the stunning, nearly seven-minute "The Violent Bear It Away," which is tucked away toward
Destroyed
's end, and here's a career-defining work.
Related
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Julian Lynch | Terra
,
Shinji Masuko | Woven Music
,
Man Man | Life Fantastic
,
More
Julian Lynch | Terra
Although experimentation in music nowadays is certainly in vogue, there aren't many records that will straddle the line between commercial plausibility and healthy art-for-art's-sake like Julian Lynch's Terra.
Shinji Masuko | Woven Music
It's tempting to point to the recent tsunami in Japan as having a heavy cosmic connection with Shinji Masuko's first solo record, a full-immersion blackout of churning, oceanic drones and melodic eddies.
Man Man | Life Fantastic
Man Man fans probably weren't expecting "Raindrops Keep Fallin' on My Head"–levels of optimism from the happy-titled Life Fantastic, but the vibe on the Philly-based band's fourth album is pretty morbid, even by their standards.
tUnE-yArDs | w h o k i l l
Armed with a few delay pedals, a smattering of percussive devices, and a fucking ukelele , she creates a vocal army of one.
From afar, Destry bring vintage allure to Boston
When Destry's Michelle DaRosa tells me she grew up watching musicals excessively, I find myself listening to her singing voice just to see what type of musical heroine she'd be.
Kode9 and the Spaceape | Black Sun
Kode9 is the most important electronic artist of the past five years.
Out: The Chris North Dream Quartet help christen the Haven in Jamaica Plain
With the Chris North Dream Quartet, singer/guitarist Chris North Alspach retains the sincere Celt-folk vocal inflection and distinctly New England–influenced lyrics of his other, Best Music Poll–nominated band, the Points North.
Young Widows seek beauty and mortality in noise
It's not much of a leap to imagine Young Widows hanging out in a funeral home.
Greg Dulli keeps his peace in the Twilight Singers
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Times New Viking | Dancer Equired
Times New Viking's tour of America's legendary indie-rock labels continues with their first release for Merge after a few albums on Matador and then Siltbreeze.
The Weeknd | House of Balloons
Self-release (2011)
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ARTICLES BY MICHAEL CHRISTOPHER
SHIRLEY MANSON DISHES ON GARBAGE'S RETURN
| May 23, 2012
Lots of folks are calling this outing by Garbage a reunion, but according to frontwoman Shirley Manson, it's nothing of the sort; it was just the right moment for the alt-rockers to rev it up again after a seven-year chill period.
SHADOWS FALL | FIRE FROM THE SKY
| May 23, 2012
Are Shadows Fall still feeling the fan backlash from two albums ago?
THE CULT | CHOICE OF WEAPON
| May 15, 2012
Second acts are hard enough to deliver successfully in the pantheon of hard rock, so it's surprising then that the Cult, now well into their third go-round, still give their audience exactly what they crave.
PANTERA | VULGAR DISPLAY OF POWER [20TH ANNIVERSARY REISSUE]
| May 08, 2012
By 1992, metal fans were in desperate need of fresh bombast. Metallica had gone mainstream with radio-friendly singles like "Nothing Else Matters," Rob Halford left Judas Priest the year prior, and Iron Maiden had long ago stopped delivering vital material.
ELEVEN BOSTON ROCK BANDS GO FOR A RIDE
| May 03, 2012
Out of all the bands that toed the line between shoegaze and Britpop at the dawn of the '90s, perhaps none have been more overlooked than Ride.
See all articles by:
MICHAEL CHRISTOPHER
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