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Surfer Blood | Tarot Classics
Kanine (2011)
By
DAN WEISS
|
October 18, 2011
Surfer Blood | Tarot Classics
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3.0
Stars
This is a literal holdover. A charming band of Floridians who realized their musical dream in a dorm room, they made the difficult push to Pitchfork ascendancy and won what they really wanted: a major label deal. I'm not being cynical; Surfer Blood's "Swim" and "Floating Vibes" had riffs too big for the echoey swamps from whence they came, even if parent album
Astro Coast
was quietly glorious. John Paul Pitts is a thoughtful lyricist and whatever his guitar-playing gifts (perfect on the jubilant "Take It Easy"), he folded in smart orchestral and glockenspiel bits. Drummer TJ Schwarz is known to man several percussion kits at once onstage. Clearly these guys care a hell of a lot about arrangement and deep musical inventory, and lo-fi is too limiting. So we all await their
Contra
, hopefully on Warner Bros., next year. For now, these four remaining songs from their indie days are perfectly competent, reminiscent of the Pixies, and hard to remember even though they're perfectly tuneful. For proof they're too hungry to settle for boiled-down, straight vocal-guitar rock, check out the detour after only one chorus in their 2010 breakout, "Swim" — linear doesn't suit them.
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KT Tunstall | Tiger Suit
The KT Tunstall of Tiger Suit is tougher, louder, and more electronically endowed than the KT Tunstall of its poppy predecessor, 2007's Drastic Fantastic , and Eye to the Telescope three years before that.
The Sounds | Something To Die For
The recent news that British electronic act Faithless have called it a day no doubt left dejected ravers reaching for extra MDMA to stave off the tears.
Emmylou Harris | Hard Bargain
Anyone with a passing knowledge of Emmylou Harris will recognize that "The Road," the opening track on Hard Bargain, is about Gram Parsons and the relationship that kicked off her career 40 years ago.
Fountains of Wayne | Sky Full of Holes
Sky Full of Holes, the first Fountains album in four years, is another reminder of why the band deserve some limelight of their own.
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Seriously: you'll probably refuse to believe me when I say that a one-time Bond villainess is behind this near-masterpiece, a collection of way-heavy grooves packed with wit, wisdom, and ballsier-than-ballsy vocal takes.
Mates of State | Mountaintops
As the sequenced synths and handsome beats unfold, matched in merriment by the husband-and-wife vocals of Jason Hammel and Kori Gardner, your mind is miles away from the raging fires of the underworld.
Twin Sister | In Heaven
It's one of 2011's finest pop records: 10 tracks of dreamy, weirdo hi-fi pop that grooves, sparkles, and hums with clipped beats and smooth drums.
Clap Your Hands Say Yeah | Hysterical
Deploying the magic touch of indie producer-superhero John Congleton, these five musicians have never sounded more like a rock band, and these 12 spacious, dreamy excursions benefit from the added muscle.
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The pretty/ugly dichotomy at the heart of Annie Clark's St. Vincent moniker is in full tug-of-war on her third and most challenging full-length.
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What the hell is Biophilia ?
The Good Natured | Skeleton
The seven-song Skeleton EP is a combination of two previous import EPs, sounding already like an immediate best-of, compiling six Good Natured studio tracks and a (throwaway) remix.
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ARTICLES BY DAN WEISS
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| May 29, 2012
If there was ever a worry of the Hives maturing— or simply becoming less like the Hives — there isn't anymore.
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| May 15, 2012
"It's like a fresh start in a new world," El Producto repeats on "Works Every Time," a track on this, his least ambitious record.
BEST COAST | THE ONLY PLACE
| May 08, 2012
It was heartbreaking to see Bethany Cosentino's 2010 full-length debut, Crazy for You, questioned for lacking "overall intelligence."
SANTIGOLD | MASTER OF MY MAKE-BELIEVE
| April 24, 2012
Holding the torch for unbridled eclecticism when spontaneity was out of style, Santogold — Santi White's out-of-nowhere 2008 debut —was a very good album that nicked from Tegan and Sara, No Doubt, and reggae-rap, and risked typecasting her even as she defied type.
SCREAMING FEMALES | UGLY
| April 17, 2012
It's nice to know a woman as talented as singer-guitarist Marissa Paternoster was influenced by Our Band Could Be Your Life, despite Kim Gordon being the only woman in it.
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DAN WEISS
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