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CD Reviews
Caveman | Coco Beware
Magic Man! Records/ORG Music (2011)
By
MICHAEL CHRISTOPHER
|
November 16, 2011
Caveman | Coco Beware
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3.5
Stars
Hold up on that Brooklyn backlash just yet, there's still some sweet music coming out of the trendiest and most despised of the five boroughs. Take the five-piece Caveman — which include Jeff Berrall, bassist for NYC's now-defunct Elefant — who were buzzed about like mad at last month's CMJ appearance after rolling out their bouncy instrumentation and earnest melodies, reminding everyone why acts like Fleet Foxes and Band of Horses were so dreamy in the first place. Part of Caveman's appeal, other than having the coolest debut album title in recent memory (a respelling of the moniker of the '80s WWF superstar), is making the complicated simple. Meditations on love, life, and Werner Herzog ("Easy Water" draws inspiration from
Fitzcarraldo
) all boil down to a series of chill moments. "Thankful" is an exquisite highlight, with a chamber-pop vibe and a sincere chorus that pulls you right in with an addictive rhythm. With multi-layered harmonizing that's all over the place, it's the kind of music that would have happened if Brian Wilson had stayed behind the wheel of the Beach Boys' wood-sided station wagon instead of climbing into that studio sandbox when his brain went askew. Easy as it should be to hate on these guys — Caveman openly admit to being inspired by drum circles — they're just too gratifying a listen.
Related
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Das Racist | Relax
,
Ava Luna | Ice Level
,
The Men | Open Your Heart
,
More
Das Racist | Relax
They still have jokes for days, but lyrical dexterity has taken precedence on their debut LP.
Ava Luna | Ice Level
Ava Luna is an experiment in off-kilter pop songcraft that melds R&B, soul, and synth-funk into an unusual shade of noisy post-punk gold.
The Men | Open Your Heart
The Men — a four-piece post-punk band that began playing Brooklyn basements and national self-booked tours in 2008 — have accomplished a feat.
Trans Am | What Day Is It Tonight? Trans Am Live, 1993 - 2008
Trans Am are distillers of guilty pleasures, mixing fat AOR riffs with sleazy electronic accents and a propulsive attitude typically reserved for arcade soundtracks. What Day Is It Tonight? covers the DC-area band’s 20-year history with high-quality, high-energy live cuts taken from their many tours.
Various Artists | Where the Action Is: Los Angeles Nuggets 1965 - 1968
More than three years in the making, the most recent installment of Rhino's legendary archival garage-rock series offers an amazingly comprehensive excavation of an absurdly fertile scene.
Various Artists | Nippon Girls: Japanese Pop, Beat & Bossa Nova 1966–1970
Girl-group records are great and everything, yet the countless compilations out there were becoming a little hit-or-miss until 2005, when the great Girl Group Sounds Lost and Found box set finally gave this diverse genre a proper taxonomy.
Various Artists | Casual Victim Pile: Austin 2010
The notion that regional musical flavors exist independently in American cities is quickly becoming an archaic truism, seeing as how the world really is a stage these days, at least in the digital sense.
Bearstronaut | Broken Handclaps
There's a distinct absence of wildlife or astronauts on Lowell electronica quartet Bearstronaut's latest release.
Avi Buffalo | Avi Buffalo
Look, I get it: the last thing we need right now is yet another band who can be described as “sun-baked,” “reverb-soaked,” or even just “psychedelic.” But Avi Buffalo (I know! An animal name to boot!) are worth your attention for a few reasons.
Eli ''Paperboy'' Reed | Come and Get It!
Local boy Eli "Paperboy" Reed isn't so local anymore.
Review: Brandon Flowers | Flamingo
Brandon Flowers has gone on record saying he brought the songs on Flamingo to his fellow bandmates for the next Killers album and was given the brush-off.
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ARTICLES BY MICHAEL CHRISTOPHER
SHIRLEY MANSON DISHES ON GARBAGE'S RETURN
| May 23, 2012
Lots of folks are calling this outing by Garbage a reunion, but according to frontwoman Shirley Manson, it's nothing of the sort; it was just the right moment for the alt-rockers to rev it up again after a seven-year chill period.
SHADOWS FALL | FIRE FROM THE SKY
| May 23, 2012
Are Shadows Fall still feeling the fan backlash from two albums ago?
THE CULT | CHOICE OF WEAPON
| May 15, 2012
Second acts are hard enough to deliver successfully in the pantheon of hard rock, so it's surprising then that the Cult, now well into their third go-round, still give their audience exactly what they crave.
PANTERA | VULGAR DISPLAY OF POWER [20TH ANNIVERSARY REISSUE]
| May 08, 2012
By 1992, metal fans were in desperate need of fresh bombast. Metallica had gone mainstream with radio-friendly singles like "Nothing Else Matters," Rob Halford left Judas Priest the year prior, and Iron Maiden had long ago stopped delivering vital material.
ELEVEN BOSTON ROCK BANDS GO FOR A RIDE
| May 03, 2012
Out of all the bands that toed the line between shoegaze and Britpop at the dawn of the '90s, perhaps none have been more overlooked than Ride.
See all articles by:
MICHAEL CHRISTOPHER
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