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Battles | Gloss Drop
CD Reviews
As Tall As Lions
Triple Crown
By
SHARON STEEL
|
September 5, 2006
AS TALL AS LIONS
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3.0
Stars
I’m not sure what sort of albums Jeff Buckley would be making if he were still alive. As Tall As Lions seem to think that his oft-worshipped vocals would do a lot better over stadium-ready atmospheric dream pop than over a lonely guitar. They might be right. ATAL could easily be NME’s latest Manchester buzz boys, except they’re from Long Island, following the tradition of suburban NY scenesters playing to Britpop heroes across the pond. UK festivals haven’t called yet, but the bloggers are all over this four-piece outfit whose sleeper of a third album has left me unable to listen to anything else. There’s something about frontman Daniel Nigro’s staggering range and blissed-out tenor — which wouldn’t be out of place in a sacred choral ensemble — that justifies ATAL’s humdrum lyrics. Buckley devotees may turn their noses up, but Nigro can match him belt for belt, and he sells gag-worthy emo couplets better than Keane or Snow Patrol ever could. Besides, he delivers them with such grace and passion, it’s as if someone’s shitty high-school poem had edited itself into a magnum opus. This album has zero filler, and the midsection — “Ghost of York,” “Love, Love, Love (Love, Love),” “Milk and Honey” — is so saturated with joyous piano trills and sublime choruses, you’ll be gorging on REWIND/REPEAT. When a band move this much this fast, a little indulgence is par for the course.
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Photos: As Tall As Lions at the Middle East downstairs
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Photos: As Tall As Lions at the Middle East downstairs
As Tall As Lions, live at the Middle East downstairs, on May 9, 2010
Sugar-coated pop, anyone?
With lines such as "chock-full of sunny melodies and intimate, introspective lyrics with bright, polished production," I clearly didn't stumble onto the next Jesus Lizard here.
18 big hits
This year, the number of great albums increased twofold across all genres, from hip-hop to metal, from swing to punk.
Music mismatch
Coming off break-up life support has rendered me incapable of common sense, which is why I volunteer to participate in foolish “single girl” activities that I will likely look back on for a chuckle when I’m craggier than Mick Jagger and sporting orthopedic Chuck Taylors.
Guest lists
What small, private lists like this remind us is that big, honking institutional lists are largely fictions, mirages of a consensus that no longer exists, if it ever really did in the first place.
The Cinematics
Despite the title of their debut album, it’s unlikely that there was anything particularly strange about the Cinematics’ education.
Northern neighbors
Canada’s most populous province, Ontario, is full of promising, undiscovered acts.
Siren song
When the Receiving End of Sirens took the stage, coming out to the “Cheers” theme (“Sometimes you want to go….”) and the screams of a packed Avalon, it was clear that it was good to be back.
Cambiata
Cambiata gave a rare turned-down set at the Scarborough Bull Moose store.
Live: Andrew Bird in Portland
For his nearly-sold-out show in Portsmouth’s Music Hall, Bird compensated for the absence of bandmates by doing, well, everything himself.
White Denim | Fits
Even more than on last year’s auspicious digital-only Exposion , Austin’s White Denim stomp down the fine line between fertile versatility and iffy uncertainty. More often than not on Fits , this works out awesome.
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ARTICLES BY SHARON STEEL
LENA DUNHAM AND HBO GET IT RIGHT
| April 13, 2012
When a new television show chronicling the lives of young women arrives, it tends to come packaged with the promise that it will expertly define them, both as a generation and a gender.
EUGENIDES'S UPDATED AUSTEN
| October 12, 2011
For his long-awaited third novel, Jeffrey Eugenides goes back to look at love in the '80s — and apparently decides that it's a lot like love in the early 19th century.
REVIEW: RINGER
| September 08, 2011
Sixty seconds into the CW's new psychological thriller Ringer, star Sarah Michelle Gellar is seen running from a masked attacker in the darkness.
LOVE'S LEXICOGRAPHER
| February 10, 2011
As the editorial director at Scholastic, David Levithan is surrounded by emotional stories about adolescents. Being overexposed to such hyperbolic feelings about feelings could easily turn a writer off pursuing such ventures himself — despite the secrets he may have picked up along the way.
REVIEW: MTV'S ''SKINS''
| January 26, 2011
MTV has rated its new Skins TV-MA LDS - which in plain English means teenagers smoking weed, popping pills, fucking each other, and having emotional breakdowns in a scripted show that MTV would like us to think is designed to be viewed by adults.
See all articles by:
SHARON STEEL
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