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CD Reviews
Ghostface Killah
More Fish | Def Jam
By
MATTHEW GASTEIER
|
December 28, 2006
GHOSTFACE KILLAH, MORE FISH
" alt="photo of 'GHOSTFACE KILLAH, MORE FISH'">
3.5
Stars
For the second time in 2006, Wu-Tang’s Ghostface has released an album that makes it seem everyone else in the hip-hop world should be paying more attention to Ghostface. And yes,
More Fish
is a vessel for leftovers from Ghostface’s March album
Fishscale
. But it’s also much more. With guest appearances that include Ghostface’s son Sun God, this sequel of sorts stands on its own, thanks to beats from MF Doom, Madlib, and Ghostface himself. As he presents his trademark flow, the international intrigue of “Alex (Stolen Script)” comes rushing into focus, and the excellent “You Know I’m No Good” features the show-stealing British R&B singer Amy Winehouse. Although he’s never broken through into the mainstream, Ghostface has attracted a serious critical following by maintaining a high level of consistency through offerings both stylish and abstract over a full decade of recordings. That he’s pulled it off twice in one year only confirms his status as one of the most original and prolific MCs in the game.
Related
:
Ghost world
,
Common
,
Talib Kweli
,
More
Ghost world
“For those who don't know me, I’m known for using soul music,” Ghostface proclaimed. “I get a lot of pussy for it too.”
Common
Can you fault a Second City 35-year-old Gap-shilling rapper for wanting to make elevator hip-hop for Second City 35-year-old Gap-wearing yuppies?
Talib Kweli
Ear Drum doesn’t reach the highs of that far more ambitious and sprawling album, but it’s a welcome return to form.
Backed the f*** up
I wasn’t the only one held back from “Rock the Bells” by fleets of ugly persons driving Chevy Avalanches.
Mad scientists
Successful hip hop is all about braggadocio.
Big business
Now that the music biz has licked its wounds from a nasty 2005, things are finally starting to heat up, and an indie-heavy winter is giving way to a more major spring.
Bigmouth strikes again
The few college students who don’t watch The Daily Show get their news from Immortal Technique.
Laying down tracks
Compartmentalized hip-hop is dead — at least that’s what a backpacker I met at the Jeezy concert told me.
SA-RA CREATIVE PARTNERS
A brief intro to the eternally fashion-forward bi-coastal production trio before these newest signees to Kanye West’s G.O.O.D. imprint unleash their big splash later this year.
Audible Treats
When the word “underground” gets attached to “hip-hop,” we’re apt to imagine white boys spouting SAT verbiage in a feeble imitation of the real thing.
Vinnie Paz | Season of the Assassin + Reef the Lost Cauze vs. Guns-N-Butter | Fight Music
We all needed a break from Jedi Mind Tricks — you, me, gay-rights activists, and even Stoupe and Vinnie Paz.
Less
Topics
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,
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,
Hip-Hop and Rap
,
Music
,
More
,
Entertainment
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,
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,
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,
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,
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,
Ghostface Killah
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ARTICLES BY MATTHEW GASTEIER
UGK
| September 18, 2007
Underground Kingz is not quite an instant classic, but it would be hard to deny that UGK have reclaimed their throne.
TALIB KWELI
| August 20, 2007
Ear Drum doesn’t reach the highs of that far more ambitious and sprawling album, but it’s a welcome return to form.
SKILL RIDE
| July 17, 2007
All it took was a Godzilla sample and a simple, forceful “Simon says get the fuck up” for Pharoahe Monch to leave his mark on hip-hop history.
THE HATE-LOVE-HATE CYCLE
| June 18, 2007
The field is already packed with newcomers and veterans alike, all aiming to knock down my standards of good taste and respectability . . .
DIZZEE RASCAL
| June 12, 2007
Boy in da Corner may be the classic Dizzee will be forced to chase for the rest of his career.
See all articles by:
MATTHEW GASTEIER
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