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The Blue Van
Dear Independence | TVT
By
EMILY ZEMLER
|
January 2, 2007
THE BLUE VAN, DEAR INDEPENDENCE
" alt="photo of 'THE BLUE VAN, DEAR INDEPENDENCE'">
3.5
Stars
The new album from Denmark’s the Blue Van doesn’t just look like a remnant of the ’60s, with its black-and-white photos of the scruffy quartet and weathered-looking cover, but it actually
sounds
like someone dug it out of a box of old Kinks and Cream LPs someone found in an attic. This isn’t anything new for the group, whose debut revealed their predilection for bluesy guitars, lots of reverb, and trashcan drums. But on this second disc, they perfect their retro stylings. Singer Steffen Westmark howls, croons, and even whistles his way through the disc’s rollicking, gritty tracks with as much appeal as his more trend-conscious contemporaries in Jet and the Strokes. The Blue Van have been compared to both bands, but there’s something uniquely genuine about the retroisms on
Dear Independence
.
Related
:
On the racks: October 24, 2006
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R.E.M.
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IndieArts mania!
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On the racks: October 24, 2006
Plus Miho Hatori and Arctic Monkeys.
R.E.M.
Unless you’re a diehard fan, wait for their new album in the spring.
IndieArts mania!
Head down to the Greenwich Hotel THURSDAY (the 16th) and lounge with local acoustic troubadour DANIEL CHASE and Boston's SARAH BORRELLO (her piano-driven cover of "White Rabbit" is insane); never a cover and always 21+, call 401.884.4200 for more.
Singles scene
It’s old news: this series of tubes they call the Internet has revolutionized the way music is distributed.
Planetary rock
In 1619, Johannes Kepler — the famous astronomer dude — published his Harmonices Mundi, or “Harmony of the Worlds.”
Bringing up pop
This article originally appeared in the August 10, 1971 issue of the Boston Phoenix .
Willie Nelson, Merle Haggard, and Ray Price
With a collective age of 225, Willie Nelson, Merle Haggard, and Ray Price live up to this concert DVD’s title, which it shares with an equally superb studio album released last year.
Bob Seger
“I will answer the wind,” Bob Seger sings in “Wait for Me,” a cut from his first new studio album in more than a decade.
Of Montreal
Now that the Apples in Stereo are reunited and have a new album coming out next month, Of Montreal can no longer lay claim to the distinction of being the only Elephant 6 band of note to outlive the once-sprawling psych-pop collective’s sad demise.
Albert Hammond Jr.
The strong-but-silent Strokes guitarist sounds sheepish on his debut solo album, but his voice is suitably dreamy and the songs are just short enough for it to hold together.
Recovery projections
You might not be able to tell from the glazed psych-pop glimmer of We’re Already There , Mazarin’s new disc for the NYC indie I and Ear, but singer/guitarist Quentin Stoltzfus counts old-time gospel and country among his favorite and earliest influences.
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