Where hip-hop lives

Rappers on the Web
By RICHARD BECK  |  February 20, 2007
070223_inside_mia
M.I.A.

Ever since rappers got wind of the title of Nas’s recent Hip Hop Is Dead, they’ve been calling up radio stations, printing T-shirts, doing whatever they have to do to get the message across: “No it’s not!” Nas himself said in a recent radio interview that hip-hop lives “in New York, the South, the West, everywhere.” (Hey, it was only an album title.) So we went looking for where hip-hop lives on the Web and found a few gems.

Mistah FAB, “Ghost Ride It”
Straight from the belly of San Francisco’s nascent hyphy subculture comes a great goofy song with a video that’s every bit as hilarious. The synth-happy beat samples the Ghostbusters theme, and FAB and his crew ride around in the Ectomobile. “Ghost Ride, Ghost Ride/Get out the way let Casper drive!”

UGK, “The Game Belongs to Me”
After a five-year hiatus, Houston’s finest are out of jail and on the airwaves. Pimp C’s beat, overlaid with intermittent guitar noodles and knick-knacks, is an ever-shifting backdrop to the duo’s complex, slow-burn rhymes. It’s worth the 99 cents.

M.I.A., “Bird Flu”
The London-based MC’s first album may have skittered and stutter-started its way into the hearts of fans worldwide, but “Bird Flu” straight stomps. There’s one, pounding drum pattern, one vocal rhythm, and a monotone chorus of yelling children. Here’s to sticking with a good idea.

The Game feat. Kanye West, “Wouldn’t Get Far”
Chicago and LA round out the journey with a Kanye production that’s less outlandish than usual, though appropriately polished. But it does sound just a little too much like Just Blaze’s beat for “Oh, Boy!” As usual, the Game entertains by voicing an inexplicably weird beef.

Related: Quitters, tinklers, tacklers, and whoppers, Forward into the past!, After-party, More more >
  Topics: Download , Entertainment, Hip-Hop and Rap, Music,  More more >
| More


Most Popular
ARTICLES BY RICHARD BECK
Share this entry with Delicious
  •   PLUCK AND DETERMINATION  |  March 09, 2010
    People have always thought that Joanna Newsom was indulgent. At first, it was about her voice — the kind of nasal yelp that usually keeps a performer from getting on stage at all. Then, on her second album, it was about her vocabulary and her instrumentation.
  •   SONG OF HERSELF  |  August 05, 2009
    "Listen, I will go on record saying I love Feist, I love Neko Case. I love that music. But that shit's easy listening for the twentysomethings. It fucking is. It's not hard to listen to any of that stuff."
  •   DJ QUIK AND KURUPT | BLAQKOUT  |  June 15, 2009
    LA hip-hop has two threads, and DJ Quik pulls both of them. The first is g-funk, a production style that relies on deep, open grooves and an endless parade of funk samples.
  •   FLIPPER | LOVE  |  May 26, 2009
    Flipper formed in San Francisco in 1979, and they're remembered three decades later because of a song called "Sex Bomb" that's one of the funniest pieces of music I've ever heard.
  •   ST. VINCENT'S ACTOR GETS A RUN-THROUGH  |  May 26, 2009
    There were not one but two clarinets on stage at the Somerville Theatre on Tuesday night, and that gives you some idea of how intricate Annie Clark's chamber-pop compositions can be.

 See all articles by: RICHARD BECK