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EMA | Past Life Martyred Saints
CD Reviews
St. Vincent
Marry Me | Beggars Banquet
By
CHRISTOPHER GRAY
|
July 30, 2007
. VINCENT, MARRY ME
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3.0
Stars
Annie Clark cut her teeth performing with progressive folk wunderkind Sufjan Stevens, art-rock hero Glenn Branca, and the psych-pop orchestra the Polyphonic Spree. So it’s no surprise that the 24-year old multi-instrumentalist covers a lot of musical ground on her debut album as St. Vincent. This disc is both violent and romantic, offering warm singer-songwriter torch songs and jagged avant-noise frays with large-hearted choral flourishes. Clark’s soaring soprano is capable of hitting a Billie Holiday swoon just as easily as a sinister incantation. The lyrics find her grappling with two contradictory needs: independence and an anchor. She longs for France and a husband in “Paris Is Burning,” a song set in the midst of a revolution, but her proposal — “Marry me, John/I’ll be so good to you/You won’t realize I’m gone” — has a sinister undercurrent. “Your Lips Are Red” is a haunted-house cabaret of unrelenting kickdrum, sudden piano crashes, and violin screeches, and “Paris Is Burning” melds her nimble finger-picking with programmed beats and mangled synth fills. Clark tempers the brash experimentalism with a few safely played jazzy ballads that display her range.
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St. Vincent's Actor gets a run-through
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St. Vincent's Actor gets a run-through
There were not one but two clarinets on stage at the Somerville Theatre on Tuesday night, and that gives you some idea of how intricate Annie Clark's chamber-pop compositions can be.
Annie in Wonderland
There wasn't much to know about St. Vincent when I first happened upon her in concert, in the middle of July 2007.
Cool papa, hot mama
Between Phil Spector’s becoming rock and roll’s first teen millionaire and the rock tycoons who emerged some decades later lies the rise of the hippie aristocrat.
Small-town gold
Like most 17-year-olds, Sonya Kitchell is struggling to figure out who she is.
Rae of light
Touted as the second coming of Erykah Badu and Billie Holiday by the London press, Corinne Bailey Rae is a twentysomething singer whose luxurious, lazy phrasing and sweet tone are closer to Diana Ross in Lady Sings the Blues .
Amos Lee
Philadelphia-based folk-soul crooner Lee favors the sort of acoustic adult-contemporary settings that soundtrack Starbucks outlets nationwide.
Ben Kweller
Kweller had the misfortune of being rushed into the spotlight leading the kidz grunge outfit Radish, who got plenty of “Can you believe they’re only 15!”
Glen Phillips
Since his days fronting Toad the Wet Sprocket, Glen Phillips has reined in his tendency to overemote.
Erol Josué
A vodou priest since his teenage years in Haiti, this singer-songwriter combines mysticism, groove, and myriad sonic surprises.
Jackie Greene
This ex-blues prodigy’s latest has the verve and emotional depth of Clapton’s best singer-songwriter outings.
Jason Anderson
As a note on his Web site hints, New Hampshire–based singer-songwriter Jason Anderson will play anywhere.
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ARTICLES BY CHRISTOPHER GRAY
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| May 23, 2012
By my (admittedly jaded) count, there are two shocking moments in Alex Ross Perry's startlingly original comedy, The Color Wheel .
BEAUTIFULLY BROODING, BLEATING NEW WAVE FROM FUTURE ISLANDS
| April 25, 2012
Romance is terrifying. It is second-guesses and regrets, passion manifested in polar extremes, and an ongoing search for certainty.
FAKE IT SO REAL CONSIDERS THE ARTS OF STORYTELLING AND BODYSLAMS
| February 01, 2012
Almost any documentary about a niche hobby or creative outlet (think Every Little Step or Spellbound ) devotes some amount of screen time to the therapeutic value of such unlikely obsessions.
REVIEW: DRAGONSLAYER
| January 04, 2012
Josh "Skreech" Sandoval is a slacker. A onetime professional skateboarder both admired for and limited by the "random chaos" of his technique, Sandoval abandoned sponsorships and relative fame in search of greater freedom.
A GOOD FESTIVAL BECOMES A GREAT ONE IN THE MIDCOAST THIS WEEKEND
| September 28, 2011
Last year, the big stories out of the Camden International Film Festival were its newfound industry cachet and a very noticeable uptick in Portlanders making the trip up to Midcoast Maine's annual documentary showcase.
See all articles by:
CHRISTOPHER GRAY
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