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EMA | Past Life Martyred Saints
CD Reviews
VHS or Beta
Bring On the Comets | Astralwerks
By
MIKAEL WOOD
|
August 20, 2007
VHS OR BETA, BRING ON THE COMETS
" alt="photo of 'VHS OR BETA, BRING ON THE COMETS'">
0.5
Stars
This amiable Louisville-based trio drew acclaim in indie circles a few years ago with a groove-heavy live-band take on Daft Punk’s deep-pile disco house. Since then, VHS or Beta have convinced themselves that there’s more worth exploring in verse-chorus rock songs than in all-instrumental jams. Which is too bad:
Night on Fire
, the band’s first full-length, sacrificed what made their debut EP so distinctive in a misguided attempt to keep up with the Killers. And the same goes for their sophomore set. A handful of tracks sport catchy-enough new-wave melodies — the key change in “Love in My Pocket” is an admirable trick — but for the most part, singer-songwriter Craig Pfunder doesn’t justify the presence of vocals and lyrics. Airless and predictable, “Can’t Believe a Single Word” and “Burn It All Down” sound like cutting-room scraps by Franz Ferdinand. The wordless, minute-long opener “Euglama,” though — that’s worth digging.
VHS or Beta + Walter Meego + Dj Carbo | Great Scott, 1222 Comm Ave, Boston | August 28 | 617.566.9014
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The launch of an extensive North American tour sponsored by MySpace that comes to the Paradise this Saturday.
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Shortly after DJ Hero ’s release, a couple of craiglist ads popped up from gamers claiming they’ll plug in and play the game at your party for $75 — all you have to provide is the TV and the speakers.
Justice
Vice like the magazine or Vice like Miami?
Happy endings
The end is nigh! And I’m not talking about the mortgage market.
Reaching climax
Ten years after the release of their classic debut, Homework , Daft Punk embark on a long-awaited tour across America with only seven dates on its roster.
Harmonic convergences
Beyond their artful, crackling, dueling-guitar geometrics and layers of cunning rhythms, the Futureheads' most distinguishing and potent weapon is their four-part vocals.
Harmonic convergence
“I don’t know what to do with myself,” Ross Millard mutters, shrugging at his mates as he sets his guitar down at the rear of the small stage at the back of Seattle’s East Street Records and ambles toward his mic stand.
Déjà vu
Prepare yourselves: R.E.M. have decided to become a rock band again.
Melancholy holiday
Given their predilection for moody, textural, electro-organic soundscapes and songs that resonate with melancholy disillusionment, Mobius Band don’t seem the type to buy into a Hallmark holiday.
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The Internet. Just a series of tubes. When things get humming on the Web, however, they can start singing real quick. Jawn P's "Blood Count (Snippet)" (mp3)
Fire Engines
With their frenetic guitars, near-indecipherable vocals, and lo-fi production, Fire Engines are the least likely ’80s post-punk band to be experiencing a revival of sorts.
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ARTICLES BY MIKAEL WOOD
THE CHEMICAL BROTHERS | FURTHER
| July 07, 2010
Astralwerks (2010)
DEVO | SOMETHING FOR EVERYBODY
| July 01, 2010
Given the theory of de-evolution these Ohio brainiacs began expounding more than 30 years ago, it makes a sad kind of sense that Devo's first album since 1990's Smooth Noodle Maps offers such a charmless, base-level version of the band's synth-addled new wave.
TAIO CRUZ | ROKSTARR
| June 24, 2010
When Taio Cruz sings, "I can't live without you," in "Take Me Back," pop-song conventions tell us he's referring to a lover.
THE FUTUREHEADS | THE CHAOS
| June 16, 2010
"I wish that I could stop the noise," sings Barry Hyde not long into The Chaos . It sure doesn't seem that way.
BETTYE LAVETTE | INTERPRETATIONS: THE BRITISH ROCK SONGBOOK
| June 01, 2010
Bettye LaVette’s previous two albums had titles that required a little digging to unpack.
See all articles by:
MIKAEL WOOD
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