There aren’t many good reasons to meet someone under a highway overpass. (Handshake drug deals and drag racing are among the bad ones.) Enter the Somerville Arts Council, whose amalgam of events for the summer and fall have ingeniously utilized the vast corners of Union Square, including the space under McGrath Highway, at the intersection of Washington Street. The Arts Council planners deemed this unlikely spot perfect for “Project SUM” (Sculpture Under McGrath, an exhibit that opens September 8) and “Project MUM” (Meet Under McGrath), a ’70s-themed dance party that took place last Saturday night.
Equal parts intrigued observers and engaged participants, the crowd at MUM gathered beneath disco-ball-adorned concrete, surrounded by trippy, kaleidoscopic video projections and dancers gyrating behind backlit screens. I’ll admit, I wasn’t around during the ’70s. So my costume — a gym-class-style ensemble, with knee-high socks and a track jacket — was based mainly on inferences about the decade’s fashion I made from the Richard Linklater movie Dazed and Confused and reruns of the first few seasons of Three’s Company. Upon arriving and eliciting confused stares, I had a momentary flashback of “new kid at the middle-school dance” insecurity. That passed, however, and right there next to the AutoZone, and steps away from a Burger King, a hundred or so costumed and non-costumed partygoers united in dance to Blondie’s “Rapture.” (Okay, it was released in 1981, but who’s counting?) DJs Flack (of BeatResearch), Axel Foley, and Pace steered the party beyond its scheduled 1 am conclusion, and no one complained, but eventually, a man dressed like Fear and Loathing in Las Vegas–era Hunter S. Thompson moved in from the periphery, the music slowed, and the reluctant crowd prepared to return to more conventional locales
Related:
Smoke screens, Scanner brained, Review: Me and Orson Welles, More
- Smoke screens
What does it say about America that marijuana movies are a hot genre right now, perhaps hotter even than in the heyday of Cheech Marin and Tommy Chong’s 1978 Up in Smoke ?
- Scanner brained
In 1977, in his novel A Scanner Darkly , Philip K. Dick invented the perfect drug — at least from society’s point of view. True Dick?: Looking for fidelity to the cyber-punk master. By James Parker
- Review: Me and Orson Welles
With Orson Welles, it's all in the voice — which over the course of four decades could sell anything from a Martian invasion to Paul Masson wine.
- Fear and loathing
In the first two pages of the article, Miliard managed to capture the quintessence of Hunter S. Thompson’s lifeblood.
- A slacker darkly
"We’re great at declaring war on things that you really can’t technically win," says Richard Linklater. Peter Keough interviews Richard Linklater (podcast mp3) Scanner brained: Richard Linklater animates Philip K. Dick’s Darkly . By Peter Keough True Dick?: Looking for fidelity to the cyber-punk master. By James Parker
- Fast Food Nation
The line between factual documentary and fictional re-creation, if it ever existed, has disintegrated before the assault of Fahrenheit 9/11, Syriana , and now Richard Linklater’s Fast Food Nation . Watch the trailer for Fast Food Nation (QuickTime)
- Gonzo: The Life and Work of Dr. Hunter S. Thompson
A portrait of Thompson as era-defining and inimitable, and eventually a victim of his own image.
- Where has all the Gonzo gone?
On top of everything else they’ve blighted over their awful eight-year reign, the Bushies did this: they killed Hunter S. Thompson.
- Cheer on the cheap
Having such a bursting social calendar requires being armed, in the words of Hunter S. Thompson, to the teeth.
- Sundance kids?
Phooey on the narrative-film judges at Austin’s 13th South by Southwest Film Festival for bestowing awards on suffocatingly conventional movies.
- Delpy days
If anyone deserves to make her own movie, it’s Julie Delpy.
- Less
Topics:
Live Reviews
, Hunter S. Thompson, Richard Linklater, Axel Foley, More
, Hunter S. Thompson, Richard Linklater, Axel Foley, Somerville Arts Council, Less