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EMA | Past Life Martyred Saints
CD Reviews
PJ Harvey
White Chalk | Island
By
TED DROZDOWSKI
|
September 24, 2007
PJ HARVEY, WHITE CHALK
" alt="photo of 'PJ HARVEY, WHITE CHALK'">
4.0
Stars
The sing-song melody and Burt Bacharach lullaby piano chords that open PJ Harvey and crew’s new studio album lead into “The Devil,” who Harvey announces has entered her soul. As the next 10 songs in this cryptic gothic fairy tale unreel, she experiences a drug-induced nightmare (“Under the Ether”), a painful hollowing of the heart (“Broken Harp”), a moon tide of guilt, and, seemingly, death. With its Neil Gaiman–like imagery, this cycle is all a metaphor for a wrenching break-up. It’s also radically different from her previous studio effort, 2003’s art-punk ripper
Uh Huh Her
(Island). Harvey’s simple, tattered piano guides this journey, sometimes alone. Although she reteams with producer Flood, who co-directed her pop breakthrough,
Is This Desire?
,
White Chalk
is more chamber music, and a dark chamber at that. The only flickers of light come from Harvey’s voice: high, airy, and imperiled as she weaves her echo-coated and darkly soulful spell till the story’s bleak finale.
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PJ Harvey wants your fucking ass
PJ Harvey's two albums with John Parish are not her best work. (Go ahead and argue it, if you like.) The first, Dance Hall At Louse Point , was a surprise departure from her game-changing To Bring You My Love , an album that sold far less than Madonna records but packed as much cultural impact -- back when rock albums and cultural impact were still on speaking terms.
Photos: PJ Harvey at the House of Blues
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