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EMA | Past Life Martyred Saints
CD Reviews
Gram Parsons
Archives Vol. 1 | Amoeba
By
JEFF TAMARKIN
|
January 7, 2008
GRAM PARSONS, ARCHIVES VOL. 1
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3.0
Stars
Recorded at San Francisco’s Avalon Ballroom in April 1969, these two discs of live material by Gram Parsons with the Flying Burrito Brothers go a long way toward supporting the notion that Parsons was a pivotal player in the rise of country rock. Parsons had already taken the Byrds in that direction as the creative force behind that group’s
Sweetheart of the Rodeo
, and the Flying Burrito Brothers amounted to a Byrds spinoff at first: Parsons, guitarist/harmony vocalist Chris Hillman, and drummer Michael Clarke had all bolted from that band, then hooked up with Sneaky Pete Kleinow on pedal steel and Chris Ethridge on bass to explore a mix of what would morph into alt-country. The Avalon shows, recorded by the legendary Owsley “Bear” Stanley, the Grateful Dead’s soundman (the Burritos were opening for the Dead on these nights), are excellent in sound quality, and though they don’t reveal anything new about Parsons and the Burritos, this live set — largely songs borrowed from both country (Hank Williams) and rock (Little Richard), with a handful of originals tossed in (the exquisite “Sin City”) — is a valuable addition to the Parsons discography.
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Turn the beat around
I do a lot of thinking about music. Coincidentally or not, I have a lot of friends who don’t, but get a kick out of the fact that I do.
Missionary man
Parsons’s influence is pervasive, from the Stones to Elvis Costello, Uncle Tupelo, and Wilco.
18 big hits
This year, the number of great albums increased twofold across all genres, from hip-hop to metal, from swing to punk.
Get ’em while they’re hot!
I’ll admit, my country-music credentials are piss-poor, but the first time I heard the Patrons album All That Is Tied , I liked it because I thought it was good country music. The Patrons, "Didn't Love You Anyway (mp3)
The Byrds
The heart of the set is the familiar jangly folk-rock everyone associates with the Byrds — recordings that laid the groundwork for what’s come to be known as alt-country.
Reelin’ ’n’ rockin’
Deer Tick singer John McCauley’s lived-in anthems harken back to the old-school traditions of Nashville, a boozy world of dim lights, thick smoke, and loud, loud music.
Boxed and ready
The cream of the season’s CD/DVD crop
The old neighborhood
Some call Charles “Teenie” Harris’s five decades of photos of Pittsburgh one of the grandest chronicles of African-American life ever assembled.
Marc Ribot
If you know Ribot only through his brilliant sidemanning with Burnett and Alison Krauss and Robert Plant, you don’t really know Ribot.
Maritime
The third album by this affable Milwaukee quartet is their handsomest, most assured outing yet.
Boston music news: November 16, 2007
If you’ve been a fan of New England metal and hard rock over the past decade, then the name Ironlung should be familiar.
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ARTICLES BY JEFF TAMARKIN
NEW YORK DOLLS | DANCING BACKWARDS IN HIGH HEELS
| March 17, 2011
The new New York Dolls have now been around longer - and released more albums (three) - than the old New York Dolls, and they're commemorating that new longevity by letting go of any compulsion they may have still harbored to honor their designation as "punk-rock progenitors."
BLACK JOE LEWIS & THE HONEYBEARS | SCANDALOUS
| March 09, 2011
The soul revival has been going on long enough now that maybe it's a not a bad idea to stop calling it a revival at all.
BRYAN FERRY | OLYMPIA
| October 19, 2010
From the Kate Moss cover pic to the A-list of guest stars to the reunion with original Roxy Music members Brian Eno, Phil Manzanera, and Andy Mackay, Olympia screams, "EVENT!"
OLD 97'S | THE GRAND THEATRE
| October 12, 2010
When Old 97's are on — which they are most of the time on their eighth studio album — they're very, very on.
DAR WILLIAMS | MANY GREAT COMPANIONS
| October 05, 2010
The companions of the title are Dar Williams's songs, which the singer-songwriter revisits here two different ways.
See all articles by:
JEFF TAMARKIN
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