The Phoenix Network:
 
 
 
About  |  Advertise
 
Big Hurt  |  CD Reviews  |  Classical  |  Jazz  |  Live Reviews  |  Music Features
WFNX_1000x50g

Cuong Vu

Vu-Tet | artistShare
By JON GARELICK  |  February 6, 2008
3.5 3.5 Stars
inside_CUONG-VU---VU-TET
For those who know trumpeter Cuong Vu from his work with the Pat Metheny Group, Vu-Tet could come as a rude shocker — rude in all the right ways. An avant-gardist with an affinity for electronica, Vu here assembles an outfit that’s capable of both chamber-group intimacy and metal bombast. Opening with the soft windy electronic washes of “Intro,” the album breaks into “Accelerated Thoughts” — a “Flight of the Bumblebee” trumpet line over Stomu Takeishi’s slow lurching bass, soon joined in unison by Chris Speed’s tenor. And then all hell breaks loose. The key is Vu’s long-time collaborator Takeishi, who gallops in broad, powerful gestures over Ted Poor’s drums, part Jaco melodic delicacy, part John Paul Jones brawn. (The figure itself suggests the Beastie Boys’ “Sabotage.”) “Solitary Confinement” matches trumpet and clarinet for an angular, slow-moving theme over brushes before building with snare rolls to a heavy rock beat and bursts of bass distortion and electrified trumpet noise. When Speed’s clarinet cuts loose, it could be Don Byron playing with Zep. The ballad tracks “Now I Know” and “I Promise,” showing off Vu’s melodic gifts and rich horn tone, make one yearn only the more for a live show by this remarkable band.
Related: Ornette Coleman, Higher calling, Skimming the cream, More more >
  Topics: CD Reviews , The Beastie Boys, Paul Jones (Executive), Pat Metheny,  More more >
| More

ARTICLES BY JON GARELICK
Share this entry with Delicious
  •   MARY HALVORSON'S ENCHANTED WOOD; PLUS, BEN POWELL'S NEW CD  |  May 31, 2012
    When guitarist Mary Halvorson began taking lessons with Joe Morris as an undergraduate at Wesleyan University, she was excited about the prospect of playing duos with one of her guitar heroes.
  •   THE FRINGE AT 40  |  May 15, 2012
    "I'm feeling a little light-headed," George Garzone told the audience last Saturday at the Boston Conservatory Theater, closing his eyes and bringing a hand to his brow.
  •   THE 2012 NEW ORLEANS JAZZ & HERITAGE FESTIVAL  |  May 04, 2012
    New Orleans Notes
  •   ESPERANZA SPALDING’S “SOCIETY”  |  April 18, 2012
    The first time I was knocked out by Esperanza Spalding, she wasn't even playing — she was talking.
  •   WALT WHITMAN VIA FRED HERSCH  |  April 19, 2012
    The pianist and composer Fred Hersch first encountered the poetry of Walt Whitman as a student at New England Conservatory in 1976.

 See all articles by: JON GARELICK



  |  Sign In  |  Register
 
thePhoenix.com:
Phoenix Media/Communications Group:
TODAY'S FEATURED ADVERTISERS
Copyright © 2012 The Phoenix Media/Communications Group