The Phoenix Network:
 
 
 
About  |  Advertise
 
Big Hurt  |  CD Reviews  |  Classical  |  Jazz  |  Live Reviews  |  Music Features
WFNX_1000x50g

Ashlee Simpson

Bittersweet World | Geffen
By DANIEL BROCKMAN  |  April 15, 2008
2.5 2.5 Stars
ashleeinside
If this album were placed in a capsule and unearthed 5000 years from now by aliens with four heads made out of laser beams, they’d probably listen to “Ragdoll” and “Bittersweet World” and think, “Damn, humans in the year 2008 were way obsessed with cartoonish depictions of ‘the ’80s, what with all these shameless Oingo Boingo and Soft Cell ripoffs.” But you know what? Fuck laser-headed aliens. They don’t have any context, and they can’t appreciate how diverse and adventurous and occasionally honest this record really is. Fans and detractors alike get exactly what they expect with bratty rockers like “Outta My Head” and “Rulebreaker,” but things seem to “get real” a bit with a more-introspective (if you can call it that) track like “Murder (I Get Away With),” which pits M.I.A.-esque multiplying world beats against Gwen Stefanish coos and cajoles. “Don’t keep me in the dark/’Cause I’ll find the light” sounds like the clarion call of a hardened show-biz wunderkind who’s been bred to become a pop star no matter what. “I get what I want and I know what I need” Simpson croons in the Cardigans-lawsuit-instigating “Boys,” and I’m inclined to agree.
Related: The Big Hurt: Parse and labor, SXSW 2010: The band who wasn't there, Semi-pro, More more >
  Topics: CD Reviews , Celebrity News, Entertainment, Music Stars,  More more >
| More

ARTICLES BY DANIEL BROCKMAN
Share this entry with Delicious
  •   THE CULT SURVIVES ROCK'S HIGHS AND LOWS  |  May 31, 2012
    There is a difference between an unknown musical artist and a superstar, and that difference isn't necessarily musical — it's mythological.
  •   RAZORMAZE ADDS FOCUS TO THEIR THRASH  |  May 15, 2012
    For a kind-of goofy metal dude, Alex Citrone is pretty serious — especially when he talks metal, and especially when he's talking about his band, Boston shred titans Razormaze.
  •   ZAMBRI | HOUSE OF BAASA  |  May 15, 2012
    For those of us of a certain age who remember when school dances had a strict four-fast-songs-then-one-slow-one policy, the memory of bouncing around to "Let's Hear It for the Boy" with the anticipation of "One More Night" or "Take My Breath Away" still makes our palms sweat with hormonal anxiety.
  •   CONFRONTING THE SWEDISH GLOOM OF IN SOLITUDE  |  May 08, 2012
    When I am finally able to get through to the cell phone of In Solitude's tour manager, they have emerged from a massive dust cloud, their metal-mobile finding civilization after a long spell traversing the deserts of Arizona with no idea where they are going.
  •   [R.I.P.] ADAM YAUCH AND THE BEASTIE BOYS  |  May 08, 2012
    ADAM YAUCH, a/k/a MCA, was likely inspired to pen those words, that appear in a tossed off couplet in the middle of what would wind up being one of the band’s final singles, by his immersion in the world of illness.

 See all articles by: DANIEL BROCKMAN



  |  Sign In  |  Register
 
thePhoenix.com:
Phoenix Media/Communications Group:
TODAY'S FEATURED ADVERTISERS
Copyright © 2012 The Phoenix Media/Communications Group