Gal Costa

Gal | Dusty Groove America
By GUSTAVO TURNER  |  June 9, 2008
3.0 3.0 Stars
080613_inside_costa
The Brazilian tropicália movement had it bad for the Beatles, with the likes of Os Mutantes (in tune with hundreds of progressive combos around the world) busy exploring Pepperland. By 1969, however, tropicalist chanteuse Costa had moved on to an idiosyncratic mash-up of psychedelia, avant-garde, folk, funk, and vaudeville that mirrored the Beatles’ own progression through the “White Album” sessions and beyond. She released two albums that year, both equally daring, though the first one was conceived as “more commercial.” This welcome reissue by Dusty Groove is the other one, a cult classic where Costa lets her freak flag fly at full mast. Here the expected collaborations with Caetano Veloso, Gilberto Gil, and Jorge Ben are drenched in post-Hendrix fuzz, and the atmospherics turn from bossa nova to the “heavy” sound of ’69-’70 on a dime. But world-class heavy tracks like Veloso’s “The Empty Boat” (the only cut in English) are merely the more conventional parts of this indispensable journey into the post-psych mind. And Gal’s closer, “Pulsars e Quasars,” even gives you a pretty good idea of what Abbey Road would have sounded like if Yoko had seduced Paul instead of John.
Related: Scott Walker, The Major Labels, You had to be there, More more >
  Topics: CD Reviews , The Beatles, Caetano Veloso, Jorge Ben,  More more >
| More


Most Popular
ARTICLES BY GUSTAVO TURNER
Share this entry with Delicious
  •   IAN KING | PANIC GRASS AND FEVER FEW  |  March 16, 2010
    Just a few weeks after we reviewed the belated release of African Head Charge's latest, another, more recent gem from the always rewarding sonic laboratory of Adrian Sherwood arrives.
  •   JOE CUBA | EL ALCALDE DEL BARRIO  |  March 09, 2010
    Fania kicks off 2010 with what is sure to end up being one of the year's most important archival releases of Latin music.
  •   ALEJANDRO FRANOV | DIGITARIA  |  March 03, 2010
    Alejandro Franov is an Argentine multi-instrumentalist who's been involved in the more serious, and often experimental, side of the Buenos Aires music scene since he was a teen in the late 1980s.
  •   THE SOULJAZZ ORCHESTRA | RISING SUN  |  February 23, 2010
    We're living in the middle of a veritable renaissance of "Spiritual Jazz."
  •   AFRICAN HEAD CHARGE | VISION OF PSYCHEDELIC AFRICA  |  February 09, 2010
    UK dub guru Adrian Sherwood and adventurous percussionist Bonjo I have been releasing their sonic experiments as African Head Charge since the early 1980s.

 See all articles by: GUSTAVO TURNER