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EMA | Past Life Martyred Saints
CD Reviews
Metallica
Death Magnetic | Warner Bros.
By
DANIEL BROCKMAN
|
September 10, 2008
METALLICA, DEATH MAGNETIC
" alt="photo of 'METALLICA, DEATH MAGNETIC'">
4.0
Stars
It’s hard to say who detests Metallica more: the post–“Black Album”/post-therapy bandmembers themselves (if their lyrics are to be believed), or their fans, whose twisted hate of their idols could be said to exceed the self-hate of the men in black. Since Metallica’s albums tend to be spaced apart by half a decade, each new record has been, for the faithful, a frustrating game of Lucy-pulling-the-football-away-from-Charlie-Brown: first the agony-inducing bummer that was the double dose of
Load and ReLoad
, then the quizzical ugliness of group-therapy by-product
St. Anger
. Well, listening to this new Rick Rubin–produced record in all its glory, I can only say, “Huzzah!” (or rather, “Huzzah-ahhh!”, as James Hetfield might put it). First and foremost: anyone who saw the
Some Kind of Monster
documentary and remembers the debate on whether there should be guitar solos will be pleased to hear that Mssrs. Hammett and Hetfield finally decided to change their votes to “yes”: the lead break that comes in at 5:33 of “The Unforgiven III” might be the most face-melting moment in the Metallica discography. Of special note is the 10-minute instrumental “Suicide and Redemption”: listening to it, you almost forget that there are supposed to be words in rock songs, since it’s filled with building riffs, escalating volleys of tension and release, and moments of frantic drum abandon from Lars Ulrich that should do a lot to redeem his standing in
Modern Drummer
’s Drummer of the Year polls. In summation: I give this one FOUR STARZ-AHH!!
Related
:
Throwing dice, taking names
,
Guitar Hero: Metallica
,
Year in National Pop: New attitudes
,
More
Throwing dice, taking names
Let’s say your band are named the Sword, your albums have titles like Age of Winters and Gods of the Earth , and your latest single is “Fire Lances of the Ancient Hyperzephyrians.” Would these count as hazardous levels of irony?
Guitar Hero: Metallica
At long last, it seems that Guitar Hero has reached a state of equilibrium.
Year in National Pop: New attitudes
Are we fated to pretend?
Slideshow: Metallica live at the Garden
Metallica
Quitters, tinklers, tacklers, and whoppers
David Berman of Silver Jews intends to quit the music biz and concentrate on writing prose, says a post on the Drag City Web site.
Rogue wave
These days, younger, wiser bands simply don't bat their eyelashes at the majors like they used to.
Metal queens
“Tonight’s like the night where there’s all sorts of hot-chick DJs who like Metallica?” gasped an enthusiastic club patron on a recent night in Central Square. “I’ve heard about those nights at ZuZu. They’re infamous!”
On top of the Pops
If you look up "surreal" in the dictionary, you might find a picture of a full orchestra fronted by five longhairs in tuxes.
Review: Anvil! The Story of Anvil
In 1984, the cocky Canadian rockers shared stages with Whitesnake and Bon Jovi, only to fade into total obscurity as other up-and-coming metal acts copped their chops and steamrolled past.
Touched by God
Last time, in a weakly alliterative moment, I promised that this column would return to the “dysfunction and doggy-do” of House of Carters.
Redemption rock
The idea of fall and redemption is thousands of years old, and it’s laced into the new Godsmack album, where singer Sully Erna’s lyrics spin a tale of rock-and-roll excess, its emotional strain, and if not outright salvation, at least the promise of it.
Less
Topics
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,
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,
James Hetfield
,
More
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,
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,
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,
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,
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ARTICLES BY DANIEL BROCKMAN
THE CULT SURVIVES ROCK'S HIGHS AND LOWS
| May 31, 2012
There is a difference between an unknown musical artist and a superstar, and that difference isn't necessarily musical — it's mythological.
RAZORMAZE ADDS FOCUS TO THEIR THRASH
| May 15, 2012
For a kind-of goofy metal dude, Alex Citrone is pretty serious — especially when he talks metal, and especially when he's talking about his band, Boston shred titans Razormaze.
ZAMBRI | HOUSE OF BAASA
| May 15, 2012
For those of us of a certain age who remember when school dances had a strict four-fast-songs-then-one-slow-one policy, the memory of bouncing around to "Let's Hear It for the Boy" with the anticipation of "One More Night" or "Take My Breath Away" still makes our palms sweat with hormonal anxiety.
CONFRONTING THE SWEDISH GLOOM OF IN SOLITUDE
| May 08, 2012
When I am finally able to get through to the cell phone of In Solitude's tour manager, they have emerged from a massive dust cloud, their metal-mobile finding civilization after a long spell traversing the deserts of Arizona with no idea where they are going.
[R.I.P.] ADAM YAUCH AND THE BEASTIE BOYS
| May 08, 2012
ADAM YAUCH, a/k/a MCA, was likely inspired to pen those words, that appear in a tossed off couplet in the middle of what would wind up being one of the band’s final singles, by his immersion in the world of illness.
See all articles by:
DANIEL BROCKMAN
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