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CD Reviews
TV on the Radio | Dear Science,
Interscope
By
MICHAEL PATRICK BRADY
|
September 16, 2008
TV ON THE RADIO, DEAR SCIENCE,
" alt="photo of 'TV ON THE RADIO, DEAR SCIENCE,'">
3.0
Stars
Five years after their debut, TV on the Radio remain fiercely independent (major label notwithstanding) — an iconoclastic mélange of nervy rock, loopy, squalling tangents, and soulful vocals provided by Tunde Adebimpe and Kyp Malone. Their latest is roughly split between fiery rave-ups and introspective ballads, making liberal use of two major accents: the horns of the Antibalas Afrobeat Orchestra and a patina of solemn strings. A genre-bending number like “Crying” is where TVOTR shine; they put Kyp Malone’s evocative R&B falsetto over a digitized, pixelated melody that sounds like past, present, and future all at once. Adebimpe dominates “Dancing Choose” and “DLZ,” gliding from pointed invectives to tender whispers. “Red Dress” is straight out of Paisley Park, irrepressibly danceable and more straightforward than anything they’ve done so far. “Family Tree” might be their most unusual effort: a dimly lit arrangement of minor-key piano and strings whose playful morbidity (“the gallows of your family tree”) sounds akin to the Moz. Although it’s not a major departure,
Dear Science,
does have a more open, brighter sound than
Return to Cookie Mountain
. TVOTR have maintained their special vision while drawing in new ideas and expanding their sound.
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TV on the Radio
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From two to five
At their inception, they were two: singer Tunde Adebimpe and musician/producer David Sitek.
TV on the Radio
Fearful that a major-label deal has ironed the kinks out of this Brooklyn-based collective?
Yeah Yeah Yeahs, TV on the Radio
The sun had started to set, the heat of the day has lost its grip on the city, and thousands – 10, 12, 15 thousand — were filing peacefully into City Hall Plaza long before the headlining Yeah Yeah Yeahs were due to take the stage. Slideshow: Yeah Yeah Yeahs and TV on the Radio, August 10, 2006 at City Hall Plaza Slideshow: The Crowd at the Yeah Yeah Yeahs and TV on the Radio, August 10, 2006 at City Hall Plaza
Two gallants - side
Interview: Steve Swallow on the Gary Burton Quartet
DO YOU REMEMBER EXACTLY HOW YOU GUYS FIRST GOT TOGETHER? I have a memory. I tend to distrust them, but my recollection is that I met Gary when he called me up and asked me if I would consider playing in Stan Getz's band, which he was already in.
Corporate parent kills WBCN
WBCN-FM, a/k/a the “Rock of Boston,” has as storied a history as any Boston radio station, but its 41-year run on the local airwaves is ending with a whimper.
Giles is one tough cookie
Phillipe and Jorge could not be more pleased to hear that President Barack Obama has nominated Cynthia Giles, the director of Rhode Island's branch of the Conservation Law Founda-tion.
Ho, ho, ho
Unless you’ve been busy catching up on your Kierkegaard, you know that radio shock jock Don Imus is in a heap of trouble.
Satellite of love
Omelets are being served. Cappuccino is being poured. And we’re all listening to a woman describe the details of putting finger after finger up a man’s ass.
Warm and Scratchy
The Cartoon Network’s “Adult Swim” isn’t just about programming smart animation for Futurama and Family Guy addicts.
Letters to the Portland editor: January 19, 2007
I was reading Sam Pfeifle’s wishes for 2007, all good ones, although sadly, I would argue that at least two are unattainable.
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,
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ARTICLES BY MICHAEL PATRICK BRADY
THE FALL | YOUR FUTURE OUR CLUTTER
| April 27, 2010
If you didn’t know any better, you might think that Your Future Our Clutter is a recording of a raving old lunatic heckling a very solid instrumental band.
SAM AMIDON | I SEE THE SIGN
| April 15, 2010
Sam Amidon is fascinated with the songbook of old Americana, and his radical yet tasteful reimaginings of traditional folk ballads and hymns breathe new life into a form often seen as quaint and old-fashioned.
RED SPAROWES | THE FEAR IS EXCRUCIATING, BUT THEREIN LIES THE ANSWER
| March 30, 2010
Post-rock bands are like silent-film actors — bereft of words, they tend to use broad gestures to ensure that you get the point.
THESE NEW PURITANS | HIDDEN
| March 09, 2010
Hidden is a real UK horror show, mixing grim, industrial beats with mannered, regal horns and a persistent aura of foggy uneasiness. These New Puritans reveal a penchant for æsthetic violence and revolutionary action that, though rarely convincing, matches the uncompromising intensity and martial tenor of the music.
CLOGS | THE CREATURES IN THE GARDEN OF LADY WALTON
| March 03, 2010
Fusion experimenters Clogs take a modern approach to folk-flavored chamber music.
See all articles by:
MICHAEL PATRICK BRADY
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