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Review: Pom Wonderful Presents: The Greatest Movie Ever Sold
Reviews
Halloween
Oh, the horror
By
BRETT MICHEL
|
September 5, 2007
HALLOWEEN
" alt="photo of 'HALLOWEEN'">
1.0
Stars
ADORABLE HORROR: A misguided attempt to pathologize a 10-year-old.
When it comes to Rob Zombie’s remake of John Carpenter’s
Halloween
, they don’t get any more unnecessary. Inspired casting enlivens the early proceedings –– we have
A Clockwork Orange
anarchist Malcolm McDowell in the Dr. Sam Loomis role originated by Donald Pleasence, meeting the Antichrist Myers (Tyler Mane). But playing spot-the-C-level-celebrity (Clint Howard! Sybil Danning! Mickey Dolenz?) grows tiresome. And when you consider that Carpenter’s original became the template for suspense/slasher films through the ’80s and beyond, the most shocking thing about Zombie’s redo is its total lack of suspense, the product of a misguided attempt to pathologize the 10-year-old Mr. Myers. I have seen the origin of evil, and it’s feral, yet strangely . . . adorable. Oh, the horror.
Related
:
Review: Halloween II
,
The girls of summer
,
I Know Who Killed Me
,
More
Review: Halloween II
Rob Zombie's remake of a sequel to a film he remade begins where his previous film left off.
The girls of summer
It’s summer, so no one’s surprised at the onslaught of sequels, adaptations, or even movies based on toys. But films with Oscar-caliber women’s roles?
I Know Who Killed Me
Lohan’s virgin/whore dons a robotic hand, the perfect prop to match her performance.
Shirts off their backs
How To Dress Like a Rock Star
Popular douches, hetero boyfriends, and softie gangstas
I invite those of you who hate me to take a moment to delight in my pain.
Banlieue 13 / District B13
Cinematographer-turned-director Pierre Morel’s breezy assemblage of acrobatics eschews the former’s dark climes in favor of a brightly lit Parisian ghetto, the better to see the amazing action.
Days of future past
Science-fiction films have been with us since Edison’s 1910 version of Frankenstein , but they bloomed in the ’Nam era, nourished by a volatile cocktail of cultural ingredients.
Portishead
It’s a welcome step into new territory and a more than satisfying downer dose to set against the onset of sunny days and ice cream.
Darkness falls in the Dark Knight
“The night is darkest just before the dawn,” says District Attorney Harvey Dent in The Dark Knight .
Metal: A Headbanger's Journey
Sam Dunn — first-time filmmaker, lifelong headbanger, sociologist, Canadian — opens his documentary with a silly question: why isn’t heavy metal taken seriously?
Doomsday
At best a reminder of doomsdays past, at worst a symptom of what’s ailing the genre today.
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| May 15, 2012
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