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Review: Pom Wonderful Presents: The Greatest Movie Ever Sold
Reviews
Trade directed by Marco Kreuzpaintner
Aching with ambiguity
By
PETER KEOUGH
|
September 26, 2007
PETER KEOUGH
3.0
Stars
VIDEO: Watch the trailer for
Trade
.
The scandal of the sex-slave market, in which women and children are kidnapped in the Third World and sold to jaded Westerners, pops up on the news long enough to titillate, but who wants to go into depressing and complex details? Based on a
New York Times
article, Marco Kreuzpaintner’s unpretentious exposé is a kind of multi-narrative in the
Traffic
mode without the arty style. It doesn’t shy from the facts or the complexities but might still attract viewers with its genre dynamics and appealing performances. In Mexico City, little Adriana (Paulina Gaitan) takes a ride on her bike and never returns. Her older brother Jorge (Cesar Ramos) learns she’s been abducted by the Russian mob and sets out to find her, joining up with good-old-boy Texas lawman Ray (Kevin Kline), who’s been searching for his own lost daughter for 10 years. Adriana’s horrible journey provides sometimes awkward counterpoint to the odd-couple bonding of the searchers, but the dénouement aches with ambiguity.
Related
:
Trade
,
Black Irish
,
Review: The Strange Case of Angélica
,
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Trade
The scandal of the sex-slave market pops up on the news long enough to titillate, but who wants to go into depressing and complex details?
Black Irish
Brad Gann’s feature debut, this year’s Boston Irish Film Festival opener, taps into some of the same neighborhood themes as The Departed: guilt, redemption, family ties. Or are they clichés?
Review: The Strange Case of Angélica
Now 102 years old and still turning out movies at the rate of one a year, Portuguese director Manoel de Oliveira seems destined to live forever. So perhaps it's appropriate that his newest film observes, with Olympian detachment, the tragi-comedy of mortals in pursuit of eternal love.
Prairie state
I never listened to more than a few minutes of Garrison Keillor’s A Prairie Home Companion .
Review: Sin Nombre
Films like Sin nombre exploit their subjects as much as they empathize with them.
The Pink Panther
The comic-sleuth series has struggled since the 1980 death of Peter Sellers, who incarnated the iconic French nincompoop Inspector Clouseau.
Rocky Mountain low
Ever since Steven Soderbergh put what was a grade-Z resort town on the film-business map with sex, lies, and videotape in 1989, the Indies and foreigners essentially hijacked the Oscars.
Spring break
Spring rules
Hoosier daddy
You already know the plot for the 2008 Democratic presidential primaries.
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,
Kevin Kline
,
Marco Kreuzpaintner
,
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Cesar Ramos
,
Kevin Kline
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Marco Kreuzpaintner
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Paulina Gaitan
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ARTICLES BY PETER KEOUGH
REVIEW: WHERE DO WE GO NOW?
| May 22, 2012
Lebanese director Nadine Labaki's whimsical film about internecine slaughter has a tone problem from the very start: a group of widows engage in a goofy line dance while the voiceover narrator bewails the death toll of religious warfare.
REVIEW: MEN IN BLACK 3
| May 24, 2012
Griffin (Michael Stuhlbarg), a fifth dimensional alien, can see the infinite possibilities each moment possesses and the infinite contingencies that caused it to happen.
INTERVIEW: RICHARD LINKLATER MESSES WITH TEXAS IN BERNIE
| May 16, 2012
No matter how far he strays, Richard Linklater's heart remains in Texas.
REVIEW: THE DICTATOR
| May 16, 2012
Though his PR campaign might suggest otherwise, Sacha Baron Cohen has actually made (with director Larry Charles) a sweet movie, not unlike Charlie Chaplin's The Great Dictator , if less sentimental.
REVIEW: THE HUNTER
| May 17, 2012
Apparently extinct since the 1930s, the Tasmanian Tiger resembled an uncanny assortment of mismatched parts from other animals. Daniel Nettheim's film is equally weird and motley.
See all articles by:
PETER KEOUGH
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