The Phoenix Network:
 
 
 
About  |  Advertise
 
Music
CD Reviews  |  Classical  |  Download  |  Live Reviews  |  Music Features  |  New England Music News
--> -->

Glenn Jones

Against Which the Sea Continually Beats | Strange Attractors
By TED DROZDOWSKI  |  January 29, 2007
3.5 3.5 Stars
070202_inside_glen
One of my favorite shows of 2006 was Glenn Jones on solo guitar at the Lizard Lounge. The pure beauty of the Cul de Sac leader’s tone on six- and 12-string and resonator guitars was transfixing. His balance of crisp technique and simplicity made the music both daring and accessible. And he brought a healthy self-depreciating humor to the stage that kept this deep listening experience from becoming precious. His second solo album comes close to capturing the hypnotic thrill of that gig, as he chimes and glides through “Heartbreak Hill” and leavens the dark droning undercurrent of “Bill Muller on the Erie Lackawanna” with a blithe melody. “The Teething Necklace” is a sonic elegy for his late hero John Fahey that’s full of breathy silences and folk-song-like lyricism. Then there’s the vaguely Eastern, or perhaps Hawaiian, slide inflections of “Island,” which in less than two minutes evoke the sad, stately beauty of some fallen empire. Cul de Sac have an international cult following, but Jones is a talent who deserves a larger audience for both his band and himself.
Related:
  Topics: CD Reviews , Glenn Jones , Glenn Jones , John Fahey
  • Share:
  • RSS feed Rss
  • Email this article to a friend Email
  • Print this article Print
Comments

Today's Event Picks
ARTICLES BY TED DROZDOWSKI
Share this entry with Delicious

 See all articles by: TED DROZDOWSKI

MOST POPULAR
RSS Feed of for the most popular articles
 Most Viewed   Most Emailed 
HOT TOPICS
 More Topics . . .
LATEST SLIDESHOWS

All Slideshows



Wednesday, December 03, 2008  |  Sign In  |  Register
 
thePhoenix.com:
Phoenix Media/Communications Group:
TODAY'S FEATURED ADVERTISERS
Copyright © 2008 The Phoenix Media/Communications Group