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CD Reviews
Mark Lind and the Unloved
The Truth Can Be Brutal | Sailor’s Grave
By
DAVID BOFFA
|
July 1, 2008
MARK LIND AND THE UNLOVED, THE TRUTH CAN BE BRUTAL
" alt="photo of 'MARK LIND AND THE UNLOVED, THE TRUTH CAN BE BRUTAL'">
3.0
Stars
On
The Truth Can Be Brutal
, Mark Lind and the Unloved blend three-chord punk with pop-rock sensibilities and spit lyrics that fall anywhere from making political and class statements to overcoming personal hardships. In other words: they’re the Ducky Boys with some new faces and familiar names — Lind on vocals (Ducky Boys), Jeff Morris on guitar (Bruisers and Death & Taxes), Mike Savitkas on bass (Death & Taxes), and Jay Messina on drums (Ducky Boys). And I mean that as a compliment. Lind’s social commentary is reliably, meticulously strewn about
The Truth
. On “Dagger,” he wonders how dropping bombs on the Middle East would jibe with Jesus, positing the Messiah’s response: “Won’t you take this dagger from my heart?” In “An Open Letter to Boston,” a nostalgic Lind admits that he’s “just a rat on your city streets” over a beer-soaked 12-bar blues-rock crunch. It may all be very familiar, but it’s reassuring and refreshing to know that some people never change.
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Group effort
If you're inclined to play punk rock, chances are you've got a self-esteem problem. It's not an æsthetic that attracts the well-adjusted. Exhibit A: Mark Lind. As bassist and frontman of the Ducky Boys, he's opened for Rancid, U.S. Bombs, and Flogging Molly.
NOFX
Sticking to punk convictions is tricky business — something NOFX know all too well.
Logically speaking
The turntablist who taught jam bands to scratch speaks on his new album, the roots of jazz rap, and his New Orleans tribute with Charlie Hunter.
Monster Mosh
The intensity level may have been a hair tamer last Friday at the ICC in Allston — an unassuming DIY venue in a church's function hall — but Halloween gave the night a twist.
Red Sparowes
The brainchild of Isis guitarists Jeff Caxide and Bryant Clifford Meyer, this post-rock outfit is inspired by Mao Zedong’s attempted eradication of farm-pestering sparrows in the late 1950s.
Flirting with death metal
If you inform the guys in Every Time I Die that you can only die once, they'll say you’re full of shit and then tell you a story.
Apollo Sunshine open for Wu-Tang
"Well, we got some shit thrown at us, and we got some fingers. But overall, I think a lot of people thought, 'Wow, these guys don't give a fuck.'"
Noise in the hood
A knowing sense of humor emerged between songs, legitimizing the chicanery as mere friendly artistic expression.
The Wailers
Following Bob Marley’s death, the Wailers have survived in various forms over the years, all of which include only one key player from their peak years: bassist Aston "Family Man" Barrett.
Ghost world
“For those who don't know me, I’m known for using soul music,” Ghostface proclaimed. “I get a lot of pussy for it too.”
Monsters unleashed
The best moments came when Eso ran down his action-figure collection — from Silver Surfer to Storm Shadow — while wearing an X-Wing commander helmet.
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MARK LIND AND THE UNLOVED
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ARTICLES BY DAVID BOFFA
SOCIAL STUDIES | WIND UP WOODEN HEART
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| May 12, 2010
The Terror Pigeon Dance Revolt! are a dance/electronica collective known around the Manhattan/Brooklyn scene for their elaborate live performances, where members wear outrageous costumes made of stuffed animals and have on-stage pillow fights.
BEARSTRONAUT | BROKEN HANDCLAPS
| January 13, 2010
There's a distinct absence of wildlife or astronauts on Lowell electronica quartet Bearstronaut's latest release.
REVIEW: FANFARLO AT T.T. THE BEAR'S
| December 22, 2009
I wasn't expecting much from London indie-pop band Fanfarlo at T.T.the Bear's last Thursday evening. For the passed month, I had a live performance of theirs bouncing around my iPod, which I downloaded only because I thought their name was cool.
REVIEW: THE WALKMEN AT MIDDLE EAST
| September 23, 2009
It was strange to see the sparse instrumentation from which NYC’s The Walkmen drew their atmospheric, honey-dipped sound last Friday at the Middle East.
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DAVID BOFFA
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