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Battles | Gloss Drop
CD Reviews
Eric Hofbauer and the Infared Band
Myth Understanding | Creative Nation Music
By
JON GARELICK
|
July 1, 2008
ERIC HOFBAUER & THE INFARED BAND, MYTH UNDERSTANDING
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3.0
Stars
The liner notes give you all the inside dope on guitarist Hofbauer’s compositional strategies — myths, puzzles, martial arts, puns, programmatic narratives. But what’s likely to hit you first is his flair for bluesy, riffing AABA melodies. Yes, he likes to warp expectations with all that gamesmanship, but at his best, he sets up a satisfying songlike tension-and-release from stop-time and odd-meter sections into 4/4 swing. Maybe best of all is “A Drunk Monk,” which appears to have as much to do with Shaolin warriors as with Thelonious. Again, though, what will grab you is the tension of bassist Mike Montgomery’s lagging, syncopated two-bar ostinato against the quick 6/8 pulse and misterioso theme. Montgomery’s solo here is downright eloquent — spare and lyrical — and saxophonist Kelly Roberge builds smooth, concise phrases up to climactic ululations. Elsewhere, Hofbauer likes to break the band down into duo and trio passages. (Miki Matsuki is the capable drummer.) At times you might wish he trusted those grooves and melodies a bit more, but there’s always something to savor in these four-way conversations. And yes, “The Chump Killer” is inspired by
Kung Fu Hustle
.
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Interview: Steve Swallow on the Gary Burton Quartet
DO YOU REMEMBER EXACTLY HOW YOU GUYS FIRST GOT TOGETHER? I have a memory. I tend to distrust them, but my recollection is that I met Gary when he called me up and asked me if I would consider playing in Stan Getz's band, which he was already in.
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Every few years, a fall publishing season emerges that should remind us that Boston could be the literary epicenter of America.
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In the wake of a single solo album on her own label in 2005, Anat Cohen is suddenly everywhere.
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Having played in projects from jam bands to jazz and as a singer-songwriter accompanist, keyboardist Erik Deutsch led an acoustic jazz album for his debut.
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Aside from the general aggressive, post-rock, post-jazz underground feel, there’s pretty tunes here.
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More and more, museums are getting into the live-music scene.
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ARTICLES BY JON GARELICK
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| May 15, 2012
"I'm feeling a little light-headed," George Garzone told the audience last Saturday at the Boston Conservatory Theater, closing his eyes and bringing a hand to his brow.
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| April 18, 2012
The first time I was knocked out by Esperanza Spalding, she wasn't even playing — she was talking.
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| April 19, 2012
The pianist and composer Fred Hersch first encountered the poetry of Walt Whitman as a student at New England Conservatory in 1976.
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Jazz and Bach have always made good company.
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