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Review: Pom Wonderful Presents: The Greatest Movie Ever Sold
Reviews
The Number 23
A zero
By
PEG ALOI
|
February 28, 2007
THE NUMBER 23
2.0
Stars
If only Joel Schumacher had remade Hans-Christian Schmid’s excellent 1998 German film
23
, a fact-based thriller about computer hackers obsessed with conspiracy theory and Robert Anton Wilson’s
Illuminatus Trilogy
(which explains the so-called “23 Enigma” in detail). But no. Instead, assisted by newbie screenwriter Fernley Phillips, Schumacher makes a flashy, predictable, incomprehensible piece of dreck that can’t even be saved by its fine actors. Jim Carrey is Walter Sparrow, an animal-control officer happily married to baker Agatha (Virginia Madsen). He’s late to meet her one night, and she randomly selects a tome called
The Number 23
in a used bookstore and insists he read it. Soon he’s convinced that the odd novel is about him and that its numerological portents are everywhere. Erotic noir flashback sequences ensue, and it all feels a bit like Mike Figgis’s
Liebestraum
with tribal tattoos. There is something to this 23 stuff, and a film about apophenia (obsession with random connections) would be fascinating. But no.
Related
:
Fractured fairy tales
,
Requiem
,
Review: Yes Man
,
More
Fractured fairy tales
Times are tough when the Dream Factory has a better grip on what’s going on than the people in Washington.
Requiem
Hans-Christian Schmid fictionalizes the real-life story of Anneliese Michel, a young German woman who died of exhaustion and starvation after a series of attempted exorcisms in the mid ’70s. Watch the trailer for Requiem (QuickTime)
Review: Yes Man
Once the one-note joke's been established, everything else follows with plodding, mechanical predictability.
Horton Hears a Who!
Although it scatters a few jokes for adults, some of them earnestly funny, Horton lacks the wit and layered cleverness of the good animated films of recent years.
Evan Almighty
Finally, the 21st-century redo of the Oh, God!
Primary concerns
The last thing people are looking for when they go to the movies is a reminder of the political crapola they are trying to escape.
Apocalypse now and then
With Snakes on a Plane and World Trade Center opening on the same day, this summer won’t be offering the usual escapist fare.
Review: Fired Up!
If you're a guy who's reluctant to view a neutered movie (and despite its Cheerleader Movie appearance, this is very much a Guy Movie), you might want to wait for the unrated DVD.
The End of the Yellow Brick Road
The Wiz wanders off course
October lite
We expected the vampires, the werewolves, the zombies, and the homicidal maniacs. Same thing with the android doubles, the alien abductors, the sexually abused pregnant teenager, the Apocalypse, and the post-Apocalypse. But kids' movies?
Stranger than Fiction
What’s stranger than fiction? Some might say meta-fiction, the “avant-garde” genre that’s actually older than Don Quixote, in which a work of fiction self-consciously refers to its own artifice. Watch the trailer for Stranger than Fiction (QuickTime)
Less
Topics
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Reviews
,
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,
Mike Figgis
,
Hans-Christian Schmid
,
More
,
Jim Carrey
,
Mike Figgis
,
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,
Joel Schumacher
,
Virginia Madsen
,
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ARTICLES BY PEG ALOI
REVIEW: THE FAIRY
| April 18, 2012
Belgian filmmaking trio Dominique Abel, Fiona Gordon, and Bruno Romy (L'Iceberg) have crafted a bittersweet, surreal urban fantasy set in the dreary seaside town of Le Havre.
REVIEW: KILL LIST
| February 28, 2012
Following up his impressive debut, Down Terrace , Ben Wheatley's Yorkshire-based crime thriller swerves with abrupt satisfaction into horror in its final moments.
REVIEW: THE INNKEEPERS
| January 31, 2012
Ti West's spook show is atmospheric (thanks to the terrific hotel setting) and frequently funny; but the plot line is choppy, the dialogue often unnecessary, and the scares too sparse.
REVIEW: THE BEST OF THE OTTAWA INTERNATIONAL ANIMATION FILM FESTIVAL
| January 24, 2012
The Canadians produce the best animation programs and prove it again with this international selection.
REVIEW: THE DEBT
| August 30, 2011
Based on the 2007 Israeli film Ha-Hov, the story weaves present and past together, with most of the action surrounding the fateful mission and the perilous web of duty, passion, and betrayal that still haunts the agents.
See all articles by:
PEG ALOI
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