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Review: Pom Wonderful Presents: The Greatest Movie Ever Sold
Reviews
Nuovomondo|Golden Door
A vast but uneven period piece
By
PEG ALOI
|
June 13, 2007
NUOVOMONDO|GOLDEN DOOR
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NUOVOMONDO|GOLDEN DOOR: En Route to the New World via an overambitious vision.
Emanuele Crialese’s period piece about Sicilians en route to the New World is vast but uneven. Poor shepherd Salvatore Mancuso (Vincenzo Amato) brings his mother and two sons on a ship bound for Ellis Island, and they share tales with other Italians about coins growing on trees. They’re accompanied by aristocratic Englishwoman Lucy Reed (Charlotte Gainsbourg), who’s been deserted by a suitor and sees in Salvatore a suitable male escort. There are intriguing sequences of seldom-seen realities, like the meetings of pen-pal brides with scary suitors, humiliating medical examinations, and “intelligence” tests designed to weed out eugenic undesirables. Crialese has a jovial eye for detail and, with cinematographer Agnes Godard, he crafts some memorable, moving moments. But the lack of focus on the main characters and some bad artistic choices (like anachronistic songs by Nina Simone) cause the film to slip beneath the waves of its own ambitious vision.
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Patricia Barber
Brainy, cool Chicago jazz pianist/singer/songwriter Barber won a Guggenheim Fellowship for this song cycle based on Ovid’s Metamorphoses — the first ever awarded to a songwriter.
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One of the most enigmatic close-ups I’ve seen on screen this year is of a sheep. It stares into the camera at the beginning of Ilisa Barbash & Lucien Castaing-Taylor’s documentary about a round-up of the critters in Montana’s Beartooth Mountains, ruminating thoughtfully, as enigmatic as the Mona Lisa.
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A lush love story set in East London explores the lives of Bangladeshi immigrants caught up in social turmoil before and after 9/11.
History rocks
“Not radical,” he replied. “I’d say ‘the truth.’ ”
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Canadian singer Feist’s third solo album is a soundtrack for watching your lover walk out the door.
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Queen Latifah is never going to be Billie Holiday.
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When Cambridge-based filmmakers Ilisa Barbash and Lucien Castaing-Taylor lived in Colorado, they met a man making history: leading a sheep drive through the Montana mountains that would bring a century-old way of life to an end.
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Apichatpong Weerasethakul must have done something right in one or more of his previous incarnations.
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On his new album The Crying Light, Antony Hegarty lifts his voice without raising it.
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French filmmaker Claire Denis has acknowledged that a host of sources inspired L’intrus|The Intruder (January 25–February 9 at the MFA), the tale of a sickly, reclusive Frenchman, Louis Trebor (Michel Subor), who after paying hard cash and buying a new heart sails for the South Seas, vaguely in search of a lost illegitimate son.
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ARTICLES BY PEG ALOI
REVIEW: THE FAIRY
| April 18, 2012
Belgian filmmaking trio Dominique Abel, Fiona Gordon, and Bruno Romy (L'Iceberg) have crafted a bittersweet, surreal urban fantasy set in the dreary seaside town of Le Havre.
REVIEW: KILL LIST
| February 28, 2012
Following up his impressive debut, Down Terrace , Ben Wheatley's Yorkshire-based crime thriller swerves with abrupt satisfaction into horror in its final moments.
REVIEW: THE INNKEEPERS
| January 31, 2012
Ti West's spook show is atmospheric (thanks to the terrific hotel setting) and frequently funny; but the plot line is choppy, the dialogue often unnecessary, and the scares too sparse.
REVIEW: THE BEST OF THE OTTAWA INTERNATIONAL ANIMATION FILM FESTIVAL
| January 24, 2012
The Canadians produce the best animation programs and prove it again with this international selection.
REVIEW: THE DEBT
| August 30, 2011
Based on the 2007 Israeli film Ha-Hov, the story weaves present and past together, with most of the action surrounding the fateful mission and the perilous web of duty, passion, and betrayal that still haunts the agents.
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PEG ALOI
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