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The House Bunny

Cheap gags and the requisite amount of T+A
By TOM MEEK  |  August 27, 2008
2.5 2.5 Stars
housebunnyinside.jpg

Once again Anna Faris, the only reason to see the Scary Movie franchise, adds undeserved riches to an awful premise. As Shelley, a former Playboy plaything booted from Hef's mansion because she’s too old, Faris spends much of the film in skimpy two-piece outfits. Shelley winds up as a sorority-house mother to a bunch of dweeby losers — Emma Stone, Katharine McPhee, Kat Dennings, and Rumer Willis among them — about to lose their charge because they can’t attract new members. Cheap gags à la Revenge of the Nerds and Animal House along with the requisite T&A fall like dollar bills at a strip club. Faris nonetheless pushes a ditzy can-do that’s part Pam Anderson and part Drew Barrymore and manages to kindle warmth and even humor — no thanks to the jerky direction by Fred Wolf. Be sure to look for the progeny of Bruce Willis and Tom Hanks and a Cheetah Girl cameo. 97 minutes | Boston Common + Fenway + Fresh Pond + Circle + Suburbs

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ARTICLES BY TOM MEEK
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  •   REVIEW: GOD BLESS AMERICA  |  May 17, 2012
    The latest dark comedy from Bobcat Goldthwait tackles both vapid celebrity culture ( i.e. , Paris Hilton, the Kardashians, and American Idol ) and the indignity of being an office drone.
  •   REVIEW: THE PIRATES! BAND OF MISFITS  |  April 24, 2012
    Peter Lord, animator behind claymation staples Wallace & Gromit and Chicken Run , directs this very British, very dry romp on the high seas during the time when Britannia did indeed rule the waves.
  •   REVIEW: GOD BLESS AMERICA  |  April 18, 2012
    The latest dark comedy from Bobcat Goldthwait tackles both vapid celebrity culture (i.e., Paris Hilton, the Kardashians and American Idol) and the indignity of being an office drone.
  •   REVIEW: UNDEFEATED  |  March 15, 2012
    Dan Lindsay and T. J. Martin's Oscar-winning documentary about an underequipped high-school football team competing against big-time programs across Tennessee offers a potent contemplation on race and opportunity.
  •   REVIEW: DR. SEUSS' THE LORAX  |  March 01, 2012
    Regrettably, this team loses a lot of Seuss's quirkiness, though not the message about corporate greed and slash-and-burn imperialism.

 See all articles by: TOM MEEK



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