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"I am the table!" growls James Hetfield during the de facto chorus of "The View."
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It's a familiar scene outside the Occupy Boston media tent: a local television news reporter and her cameraman approach cautiously, looking for a clue.
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She can hear a baby crying. She searches the house, each cluttered room, the closets, under the bed. She checks the cupboards. She checks behind the shower curtains. There is no baby.
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"Roll my vertebrae out like dice/Let my skull be a home for the mice/Let me bleach like the bones on a beach/I'll be hard like a pit from a peach," Tom Waits growls and spits, cheeky and sibilant, on "Satisfied," the ideological linchpin of his latest studio album.
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Aside from the fan-cam, 3 has little to offer: the camera is shakier and 2 's ludicrous backstory is continued.
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