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Review: The Reader

Tiresome and callow
By PETER KEOUGH  |  January 9, 2009
2.5 2.5 Stars


VIDEO: The trailer for The Reader

It's Christmas, and our thoughts turn toward the Third Reich. Or so it would seem from the films being released for the holiday: two deal directly with the subject and The Spirit offers a tasteless Nazi sequence.

Of the three, this adaptation of Bernhard Schlink's bestseller ponders the deepest issues — e.g. (spoiler), how should a kid feel after he finds out that the older babe he slept with is a war criminal? Stephen Daldry complicates matters with a tiresome frame story set in the future as old Michael (Ralph Fiennes) looks back at his 15-year-old self (David Kross) getting it on with tram conductor Hanna Schmitz (Kate Winslet), or reading to her, or putting up with her tantrums.

Who knew she'd turn out to be a she-devil of the SS and too dumb to defend herself at her trial? The film lingers more on Winslet's nudity than on the nature of guilt, and it offers no reason to care for the lumpen criminal or the callow lover.

Related: Review: The Kindly Ones, Review: Harry Potter and the Half-Blood Prince, Review: The Hurt Locker, More more >
  Topics: Reviews , Culture and Lifestyle, Nazi Party, History,  More more >
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ARTICLES BY PETER KEOUGH
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  •   REVIEW: THE MEN WHO STARE AT GOATS  |  November 06, 2009
    Here’s a subject that really could have used a Stanley Kubrick or a John Frankenheimer or a Robert Altman. But are there any great cinematic satirists left, auteurs with the knack for black comedy and cold-blooded irony?
  •   REVIEW: DISNEY'S A CHRISTMAS CAROL  |  November 09, 2009
    Charles Dickens made a mint with readings of A Christmas Carol , but a century and a half of technological progress has not been kind to the property.
  •   REVIEW: GENTLEMEN BRONCOS  |  November 04, 2009
    Having peaked with his debut, Napoleon Dynamite , Jared Hess has settled into being a family-friendly John Waters — which is redundant, since Waters is already rated PG-13.
  •   REVIEW: 35 SHOTS OF RUM  |  October 28, 2009
    Most American filmmakers would focus on the multicultural aspect of 35 Shots of Rum — Claire Denis takes it for granted that her characters are immigrants and doesn’t turn her film into a political discussion.
  •   REVIEW: AMERICAN CASINO  |  October 30, 2009
    If you’re still curious about what derivatives are after seeing Michael Moore’s Capitalism: A Love Story , Andrew and Leslie Cockburn’s drier, more in-depth examination of the meltdown and bailout might help.

 See all articles by: PETER KEOUGH

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