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CD Reviews
Mars
The Complete Studio Recordings, NYC 1977-1978 | No More
By
DEVIN KING
|
July 29, 2008
MARS, THE COMPLETE STUDIO RECORDINGS, NYC 1977-1978
" alt="photo of 'MARS, THE COMPLETE STUDIO RECORDINGS, NYC 1977-1978'">
4.0
Stars
Part of the originally iconoclastic but now iconic no-wave scene that cropped up in the late-’70s downtown NYC art scene, Mars are best known as one of the four bands recorded by Brian Eno for his
No New York
compilation.
This
comp supplies the four songs from
that
comp, along with a single and an EP (formerly available only with added tape trickery and heavy remixing) that round out Mars’s output. Career-spanning records usually mark a band’s evolution; this outfit existed for just two years, so the material sketches a near-perfect first and sole album — albeit one sequenced chronologically. Mars hit the stereotypes carved out by the no-wave groups: extended vocal techniques that sound like moaning or shrieking; distorted guitars with muted, scattered strumming (the band referred to them as “insect guitars”); highly pitched, arrhythmic drums creating textural rather than metric space. Mark Cunningham’s understated bass is a passive throb that supplies recognizable song forms, however slight, focusing the rebellion into something still righteously agitated 30 years later.
Related
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,
Slideshow: Vintage photos inspire Pattern Is Movement
,
2008 Listravaganza Part 2
,
More
2008 Listravaganza!
We are not at all sick of bands with animal names yet and seem to have a soft spot for Erykah Badu that we kept very hush about all year.
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Everything you wanted to know about the year in music, in tidy lists of 10.
School of Seven Bells | Alpinisms
School of Seven Bells piece together two points of reference: the electronic music made popular by the Postal Service, Volvo ads, etc.; and the tightly controlled feedback of shoegaze.
Pedal | Pedal
Any undergrad who has a few Satie discs in his or her collection — for studying and making out! — would find the same passive ambiance on this album.
Women
Women initially sound like most Beach Boys- or Kinksinfluenced bedroom pop.
Scorch Trio
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Paper Thin Stages
For their new album the band wrangle originally non-discrete material into 11 song-like morsels.
On the racks: June 27, 2006
. . . and all sorts of guest stars.
Gesellschaft Zur Emanzipation Des Samples | Circulations
My friend Robbie and I once had a brilliant idea: we were going to put out a field-recording LP called Sounds of Guitar Center , 70 minutes of us walking around the monopolistic retailer with a microphone to capture the cacophony.
Idol hands
The band, as always, sounded fantastic, especially if you’d been listening to the record all week in preparation.
Less
Topics
:
CD Reviews
,
Brian Eno
,
Devin King
,
MARS
|
More
ARTICLES BY DEVIN KING
FATHER MURPHY | ... AND HE TOLD US TO TURN TO THE SUN
| July 29, 2009
Harking back to an America where one's own lonely voice was the only radio and a BBQ meant a spit in the middle of the desert, Torino's Father Murphy hide detuned industrial textures within stripped-down, spacy folk instrumentation, like a man in a black hat picking up a bullet-riddled guitar with which to serenade his captives.
SOUNDCARRIERS | HARMONIUM
| May 27, 2009
The first album from this Nottingham-based band is California dippy: whispered female/male harmonies, slack flutes, swinging drums, comping Hammond organs, and a bass player who finds basic funk riffs in every progression.
THE MOVING PICTURES
| May 12, 2009
If one way that bands tie themselves to the past is through sonic reference — Fleet Foxes calling forth Crosby, Stills and Nash, or Animal Collective channeling the Grateful Dead — then there's been a number of bands who tie themselves to the past through cultural reference.
VARIOUS ARTISTS | OPEN STRINGS: 1920S MIDDLE EASTERN RECORDINGS
| May 06, 2009
Over the past year, Honest Jon's has released three compilations culled from more than 150,000 78s of early music from the EMI Hayes Archive: music from 1930s Baghdad, early West African music recorded in Britain, and a more general compilation that moved across country lines and the first half of the 20th century.
PAPERCUTS | YOU CAN HAVE WHAT YOU WANT
| April 14, 2009
Hidden under reverb and aggressive analog production, the first sung lyrics on You Can Have What You Want belie what seems to be a cheery record title: "Once we walked in the sunlight three years ago this July."
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DEVIN KING
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