Classical

Russian, Spanish, American . . .

Music in all accents comes to the concert halls

By LLOYD SCHWARTZ | September 11, 2008

cliass_in
GET-WELL WISHES James Levine and the BSO kick off their “Russian season” on September 24.

What everyone is looking forward to this fall is the return to the podium of BOSTON SYMPHONY ORCHESTRA music director James Levine after he missed most of the Tanglewood season following kidney surgery. The opening gala is a Russian affair: Glinka, Mussorgsky, and the Letter Scene from Tchaikovsky’s Eugene Onegin, with Latvian soprano Maija Kovalevska (Symphony Hall; September 24; 617.266.1200 orwww.bso.org). Among Levine’s other concerts: Brahms’s Ein deutsches Requiem, with soprano Christine Schäfer and baritone Michael Volle (September 26-27); Mahler’s Symphony No. 6 (October 10, 11, 14); the premiere of Leon Kirchner’s The Forbidden along with Tchaikovsky’s Pathétique Symphony and the great Maurizio Pollini in Schumann’s Piano Concerto (October 16-18); and a seductive program of Messiaen, Boulez, and Berlioz’s gorgeous Harold in Italy, with BSO violist Stephen Ansell (October 23-25). Guest conductors include André Previn, Rafael Frühbeck de Burgos, Marek Janowski, Gennady Rozhdestvensky, and Seiji Ozawa in a Messiaen/Berlioz program with pianist Peter Serkin and Takashi Harada on the eerie ondes Martenot (November 28-29).

Levine will also celebrate the phenomenal Elliott Carter, who turns 100 on December 11. He’ll conduct the world premiere of Carter’s Interventions for Piano and Orchestra, with Daniel Barenboim, who’ll also play Beethoven’s Third Piano Concerto and join Levine in Schubert’s exquisite F-minor Fantasie for piano four hands. Levine will close the program with Stravinsky’s seminal and still exhilarating Le sacre du printemps (December 4-5); then he’ll repeat the Stravinsky with Beethoven’s Symphony No. 7 and BSO horn player James Sommerville in Carter’s Horn Concerto, last season’s Carter premiere (December 6, 9).

The CELEBRITY SERIES OF BOSTON (617.482.6661 orwww.celebrityseries.org) leads off with another birthday bash — pianist Leon Fleisher’s 80th (also honoring Celebrity Series founder Aaron Richmond), with guest pianists Yefim Bronfman, Jonathan Biss, and Kathryn Jacobson, all former Fleisher students (Jordan Hall; October 3). Soprano Isabel Bayrakdarian celebrates Armenian composer Gomidas (Jordan Hall; October 19). The Hungarian folk group Muzsikás and Marta Sebestyén join the Takács String Quartet in an unusual evening of Bartók and the folk music that inspired him, with a selection of Bartók’s original field recordings (Jordan Hall; November 16). And Fabio Luisi conducts the Dresden Staatskappelle, with pianist Rudolf Buchbinder (Symphony Hall; November 19).

David Hoose and the CANTATA SINGERS (617.868.5885 orwww.cantatasingers.org) add Benjamin Britten to their season-long explorations of single composers. They start with performances of Britten’s Cantata misericordium, on a program with Fauré’s Requiem (Jordan Hall; November 7), and an evening of songs (Britten composed great ones) and chamber music (Jordan Hall; November 23).

The visionary Craig Smith, founder of EMMANUEL MUSIC, planned this season before he died; it will be performed in his memory, leading off with a gala evening of Bach’s Brandenburg Concertos (Emmanuel Church; September 18; 617.536.3356 orwww.emmanuelmusic.org). The weekly Sunday-morning Bach cantatas begin October 5. The Schumann Chamber Series, in its fifth and last year, resumes with Russell Sherman playing Kreisleriana, Arabesque, and the C-major Fantasie (October 26) and mezzo-soprano Krista River singing lieder (November 2). WINSOR MUSIC, founded by Peggy Pearson, Emmanuel Orchestra’s magnificent oboist, adds new oboe repertoire every season in the intimate atmosphere of Lexington’s Follen Church (concerts September 20, October 29, November 28; 781.863.2861 orwww.winsormusic.org).

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Related: Erwartung . . ., Baroque and beyond, Contertizing, More

Erwartung . . .
BOSTON SYMPHONY ORCHESTRA music director James Levine will be back in February to continue his survey of Beethoven and Schoenberg with Metropolitan Opera diva Deborah Voigt in Beethoven’s “Ah! perfido” and Schoenberg’s Erwartung (“Awaiting”), along with Beethoven’s Coriolan Overture and Eighth Symphony (Symphony Hall, February 1-3).
Baroque and beyond
Ten-best lists usually come at the end of the season, but this year the Phoenix has asked its critics to provide a calendar of 10 events that, at least on paper, might wind up on an end-of-season Top 10. Boston, in case you didn't know it, is a great city for classical music, so it's not easy to keep the list short. But here goes.
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Boston Lyric Opera follows up Dvorák’s moonstruck Rusalka, with Christopher Schaldebrand in the title role of Mozart’s Don Giovanni, the BSO and much more.
Loved these but not those
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Lift every voice!
Opera is the big word for 2009.
Beloved of God
One of my most profound musical experiences took place when I was still a graduate student.
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As our most prestigious classical-music institution, the Boston Symphony Orchestra ought to be every year’s headliner, and once again, under the adventuresome direction of James Levine, it is.
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Topics: Classical , Entertainment, Music, Benjamin Zander, More

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[ 11/10 ] Jack Quartet @ Institute of Contemporary Art

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ARTICLES BY LLOYD SCHWARTZ

BLESSINGS: MIXED AND OTHERWISE | October 28, 2009
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BAROQUE AND BEYOND | September 14, 2009
Ten-best lists usually come at the end of the season, but this year the Phoenix has asked its critics to provide a calendar of 10 events that, at least on paper, might wind up on an end-of-season Top 10. Boston, in case you didn't know it, is a great city for classical music, so it's not easy to keep the list short. But here goes.

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